Author: Janko Roettgers

  • Let the video SEO madness begin: Google Trends adds YouTube data

    Google Trends added data from YouTube Wednesday, making it possible to see how a particular search term did on the video site. Google added YouTube search data going back all the way to 2008 to Trends, which means that you can dig into the historical performance of search terms.

    Users can either search for trends across Google and YouTube, or restrict searches just to YouTube. Here’s how “Harlem Shake” compared to “Gangnam” on YouTube over the last 12 months:

    google trends youtube

    Trends has always been a fun tool to get a sense of what people are searching for, but it has also been helpful to optimize your own websites for Google search results. And with YouTube now being part of Trends, one can expect that many video publishers will frequent the tool to figure how to name their videos. In other words: Don’t be too surprised if your YouTube experience looks a bit more zeitgeisty and SEO-optimized from now on.

    That being said, it makes a lot of sense for Google to include YouTube data in Trends, even for the purpose of tracking search trends across Google properties: YouTube has long been the second-biggest search engine on the internet, following Google proper, but ahead of Bing and Yahoo.

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  • Redbox Instant app arrives on Xbox Live

    Xbox users can now access the new subscription video service from Redbox Instant by Verizon, thanks to a new app that launched on Xbox Live Tuesday. This is the first time the service has been available on a game console, and it also marks the beginning of a marketing campaign for Redbox Instant, which went into public beta just a few days ago.

    Redbox Instant offers subscribers four Redbox DVD rentals as well as unlimited streaming access to around 4,600 movies for $8 a month. An additional 4,000 newer titles are offered as streaming rentals or purchases. After a limited-time free introductory offer, Redbox Instant customers will need an Xbox Live Gold subscription to use the service on Microsoft’s game console, which will set them back another $5 a month.

    The company launched its closed beta test at the end of December, and opened up to the public mid-March after convincing tens of thousands of testers to become paying customers, according to Redbox Instant CEO Shawn Strickland.

    Strickland told me last week that the launch on Xbox Live would also kick off the company’s first real marketing efforts, and that Redbox Instant would start to specifically target Verizon and Redbox customers soon after. Apps for LG, Google TV and Vizio devices would follow in the next few weeks, he added.

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  • Hulu Plus rolls out new UI on Apple TV

    Hulu rolled out a new UI for its Hulu Plus app on Apple TV devices Tuesday, highlighting new content categories and continuing the relaunch of the service on a variety of CE devices. The new app was announced by Hulu’s senior product manager for living room devices Dave Herman, who wrote on Hulu’s blog that the company “redesigned the Hulu Plus experience from the ground up.” He went on to say:

    “Right away, you’ll notice we’ve added content categories across the top navigation bar to make it easy to for you to jump to your chosen section – whether it is TV, Kids, Latino, Search, or something else. Inside each category, you’ll discover what’s new in our content library so it’s easy to discover new shows and keep up with the shows you already love.”

    Hulu rolled out a revamped website last summer, and relaunched its PS3 app soon after. Hulu’s UI for consumer electronics devices has been in need for a refresh for some time, as it is essentially unchanged since its launch in 2010.

    A spokesperson told us Tuesday that the company doesn’t have anything to announce at this point, but it’s likely that other devices will get a UI revamp soon as well.

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  • Five companies that want to break up your cable bundle

    Tired of paying $100 for hundreds of channels if you only watch five of them? You’re not alone: An increasing number of companies is also looking for alternatives to the traditional cable bundle. The alliance of companies pushing for unbundling contains a few unexpected candidates — one of them may even be the very company that charges you for that bundle.

    Pay TV providers have long complained that TV networks force them to carry channels they don’t want. But in recent weeks, those complaints have turned into action, with Cablevision suing Viacom to break up the network’s bundle, and Verizon starting to talk about paying programmers based on their performance, as opposed to a flat fee for a bundle of channels.

    So who is trying to break up the bundle, and how? Check out our list:

    Verizon: Putting its money where your eyes are

    Verizon execs have been talking for some time about changing things up, to the point where director of consumer video services Maitreyi Krishnaswamy, who is responsible for the company’s FIOS TV service, said last year that cord cutting wasn’t growing fast enough for the company. The logic behind those remarks? If consumers cut the cord, then programmers are going to be more willing to rethink the deals they’re having with Verizon.

    Verizon sells bundles - but it would like to change them.

    Verizon sells bundles – but it would like to change them.

    Looks like this is now beginning to happen, at least on a smaller scale. The Wall Street Journal reported this weekend that Verizon is pressing smaller channels to pay them based on their actual performance, as opposed to a flat fee per subscriber. The result wouldn’t actually be a pick-and-choose TV lineup. Instead, Verizon would potentially distribute even more channels — but only pay the ones that are actually attracting eyeballs.

    Making this model work won’t be easy for Verizon, especially when it comes to the biggest cost drivers, which are sports channels like ESPN. But some smaller channels might be eager to sign on. This could potentially lead to some cheaper bundles that offer actually more content, save for some of the most expensive fare.

    Cablevision: Suing to get rid of the duds

    Cablevision has chosen to take its attack on the big bundles to the courts: The company sued Viacom last month to get out of a contract it struck just two months earlier, arguing that Viacom is forcing the company to carry a number of channels its customers don’t want. The lawsuit is about a total of 12 channels like MTV Hits and VH1 Classic, but it could ultimately threaten the whole concept of a bundle — which is why it will likely get settled out of court.

    Aereo: A new kind of bundle

    Aereo is circumventing the cable bundle altogether with an offer that’s squarely aimed at cord cutters: The company offers streaming of broadcast networks like ABC, CBS and NBC for as little as $8 a month.

    Aereo's tiny antennas.

    Aereo’s tiny antennas could have a big impact on bundles.

    It’s undercutting the cable companies through the use of a legal loophole, which involves an elaborate setup of miniature antenna farms, and resulted in a lawsuit brought against the company by those very broadcasters. However, the company won a first round last year, and is now looking to expand to close to two dozen cities this spring.

    To learn more about Aereo and the company’s take on the future of television, check out our upcoming paidContent Live conference, where I’m going to chat with the company’s CEO Chet Kanojia about these very issues.

    Boxee: Unbundling the DVR

    Boxee’s new Boxee TV device comes with a promising proposition: The device won’t just let you watch major broadcast networks without paying for cable, it will also upload any show airing on those networks to a cloud DVR with unlimited storage and streams them not only to your TV, but also to your iPad or computer. Boxee’s cloud DVR is currently only available in limited markets, and the device itself has been met with mixed reviews – but the idea behind it is definitely disruptive, because it’s essentially TV Everywhere without the expensive cable price tag.

    Netflix: Showing that you can succeed without a bundle

    Netflix has long shied away from discussions around cord cutting and cable bundles, with execs insisting that that wants to be complementary to cable, and that it will eventually just be another channel that consumers subscribe to, just like HBO.

    Netflix's House of Cards is like a cable show, but without a cable bundle.

    Netflix’s House of Cards is like a cable show, but without a cable bundle.

    However, the big difference is that you can only get HBO as part of a premium cable bundle. Netflix, on the other hand, is available to anyone, no matter whether they pay $50, $120 or nothing at all for cable.

    That strategy has been working well for the company: Not only does Netflix now have 33 million subscribers, investors have also given the company a thumbs-up on its original content strategy, with stock roughly doubling since the beginning of the year.  And with new, original shows about to debut on Netflix every month this spring, the company seems to demonstrate HBO that you can, in fact, succeed without being part of a bundle.

    Image courtesy of Flickr user HarshPatel;Photographer.

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    • Leo Laporte’s TWiT takes on YouTube hits with new show

      Veteran tech broadcaster Leo Laporte’s TWiT network is launching a new show dubbed This Week In YouTube, aiming to highlight both trending videos as well as news about YouTube. For TWiT, the show is yet another sign of the company’s  transformation from a tech podcast to a video network.

      This Week in YouTube stars TWiT founder Leo Laporte and YouTube geek comedian Lamarr Wilson, who told me this about his plans for the show:

      “Our new YouTube show will cover the most interesting YouTube news story of the week. In addition, we will analyze a viral video of the week, along with the most topical discussion topic of the week. Finally, we will choose a channel each week from YouTube to spotlight, and we’ll give the audience a YouTube tip to either enhance their video watching or their video creation experience.”

      This Week In YouTube, which will officially launch in a few weeks, is an interesting format for TWiT, in part because it shows how much the company has changed over the past few years. TWiT began as a weekly tech pundit podcast, branched out to other topics, and eventually transitioned to focus primarily on video, with a big focus on live video content.

      Laporte told me two years ago that his goal was to become “the CNN of tech.” But TWiT CEO Lisa Kentzell made it clear Monday that this doesn’t mean to copy old media distribution models:

      “As an online network, TWiT has always been platform agnostic. We want to be available everywhere our audience is.”

      Part of that puzzle has always been YouTube, but This Week in YouTube producer Chad Johnson admitted Monday that YouTube hasn’t been front and center of TWiT’s video strategy. “While TWiT has covered every step of YouTube’s growth, it’s never been the main way we connect with our audience,” he said, adding that he hopes to change that with Wilson and the audience he has already grown on the video site. “We are very excited to cover the future of online video together with this new show,” Johnson said.

      Check out this video tour of the TWiT studio I did back in 2011:

      This story was corrected 12:48 pm to clarify that the show hasn’t officially launched yet, but is still in beta.

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    • March Madness: where to watch the 2013 NCAA Tournament live online

      March Madness is here: The 2013 NCAA Men’s Division tournament will start on March 17 with Selection Sunday, and then continue with a total of 67 action-packed games until April 8.

      Unfortunately, quite a few of these games are once again going to unfold when many of us have to work at the office. Fortunately, you won’t have to miss a thing, thanks to live streams of each and every game — if you’re a cable subscriber, that is.

      For the first time, March Madness is going to require authentication for any game that’s shown on cable. This means that you’ll have to log in with your cable TV subscription account if the game you want to watch is airing on TBS, TNT or truTV. Games that are available on CBS will still be available without logging in.

      Confused? Can’t find your cable subscription details in time before the action starts? No worries: The NCAA’s website and apps are going to offer everyone a four hour grace period in which you can start watching without bothering about logging in.

      Here’s where you can start watching on your PC, iPad, iPhone or Android mobile device:

      • The NCAA’s website streams each and every game live, no matter whether it airs on cable or CBS.
      • The NCAA’s iOS app, now available on iTunes, offers live streaming for iPad, iPhone and iPod touch.
      • The NCAA also promises to have an Android app for devices with Android 4.0 and up available in time, but it wasn’t on Google Play at the time of writing. Check the NCAA’s website for the latest links for your device.

      We will update this article with additional links and resources throughout the tournament, so make sure to check back regularly.

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    • Hulu’s content chief Andy Forssell officially takes over as acting CEO

      Hulu has officially announced that its SVP of content Andy Forssell will become its acting CEO when founding CEO Jason Kilar leaves the company at the end of the month. Kilar made the announcement himself Thursday afternoon on Hulu’s blog, writing:

      “You know Andy well; he’s been a critical senior executive and has been here from the start of this great adventure. Andy exemplifies the Hulu culture and has been central to Hulu’s journey, helping to grow this company from 2 content partners and no revenue to over 450 content partners and approximately $700 million revenue in 2012.”

      It’s been an open secret that Forssell was on the shortlist to become Hulu CEO for some time. I first heard a rumor about this in early January, and Adweek wrote that he was a likely candidate later that month. However, there were also a number of other names floating around, including at least one executive from Hulu co-owner Disney.

      Speaking of co-owners: The fact that Forssell only got the job as acting CEO has a lot to do with Disney and News Corp. disagreeing over Hulu’s future. News Corp. wants to steer Hulu towards a paid subscription future, whereas Disney prefers the free, ad-based part of Hulu’s business. Finding a permanent CEO for a company whose future is in flux is apparently not that easy, which Kilar indirectly acknowledged in his blog post:

      Disney and News Corporation are currently finalizing their forward-looking plans with Hulu, and the senior team has been working closely with them in that process. Once the plans are finalized, a permanent decision will be made regarding the CEO position.

      The Wall Street Journal reported earlier this month that both Disney and News Corp. are considering buying the other partner out to take over majority control of Hulu. Comcast, the third studio major owner, is barred from making any decisions on Hulu’s future due to the NBC-Comcast merger conditions.

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    • Redbox Instant launches publicly, CEO calls original content talk premature

      Surprise! Redbox Instant by Verizon officially launched to the public Thursday, just as I had predicted in an earlier story. The launch comes after a three-month-long closed beta test that Redbox Instant CEO Shawn Strickland characterized as a great learning opportunity during a phone conversation Thursday morning. “Now we are open for business,” he added.

      Redbox Instant currently offers its subscribers access to 4,600 subscription titles and four Redbox DVD rentals for $8 a month. Customers can also digitally rent or buy around 4,000 movies for a fee to augment their subscriptions with newer fare. Strickland told me that the service saw interest from “hundreds of thousands” of consumers who signed up to join the closed beta test. Tens of thousands not only joined for a free trial, but stayed around to become paying customers after their trial period ended.

      So who are those Redbox Instant customers? Strickland said that the beta test confirmed the company’s belief that it was primarily catering to people who still value physical rentals. “It’s a disc plus offering,” he said, with streaming supplementing DVD rentals. That’s also reflected in the type of content the company is making available for streaming. “It clearly starts with movies,” said Strickland, adding that the focus might evolve over time.

      That approach is very different from Netflix, which also started out with a movie-focused DVD service, but now invests heavily in TV content. Does that mean Netflix and Redbox are going to be complementary, as opposed to arch-enemies? My conversation with Strickland left me with the impression that he would be okay with that — as long as people are paying for his company’s service as well.

      “We think that the over-the-top space will evolve very similarly to the cable and network space,” he said. Meaning: You might get your content from more than one streaming provider in the future, just like you get it from more than one cable network.

      Of course, a large part of the rise of cable networks like HBO or even AMC has been the production of original content, something that has been an increasing focus of Netflix and Hulu as well. CAA agent Peter Micelli speculated a few days ago that Redbox Instant may venture into original content as well. Strickland called this kind of talk “really premature,” explaining that Redbox Instant doesn’t even have enough insights into what kind of exclusive content its subscribers could be interested in yet. But he added: “From an industry perspective, there is a clear force in that direction.”

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    • Redbox Instant ready to open its doors to the public

      Redbox Instant by Verizon may be ready to launch its public beta test as early as Thursday, GigaOM has learned from an industry insider. The joint-venture between Verizon and Redbox launched its private beta test in December, offering subscribers Redbox rentals as well as a Netflix-like streaming service with a focus on movies.

      Redbox Instant CEO Shawn Strickland told reporters at a CES event in January that the service would launch publicly before the end of the first quarter. A Redbox Instant spokesperson confirmed earlier this week that this is still the case, but didn’t provide any further details.

      The video service offers subscribers four DVD rentals as well as unlimited streaming of number of movies for $8 a month. The catalog is notably smaller than Netflix’s offering, but Redbox Instant hopes to make up for that by offering access to titles on DVD that aren’t available for streaming yet. Customers can also opt to supplement their subscription plan with transactional video on demand titles, also known as rentals.

      Redbox Instant hasn’t done much publicity yet, but one shouldn’t be too surprised to see both companies market the service more aggressively to their customers in the coming months. Strickland told me in January that up to 50 percent of all Redbox customers already subscribe to a service like Netflix. The company now wants to steal away some of those customers from its competitor.

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    • Veronica Mars movie hits $2M Kickstarter goal in 10 hours

      Veronica Mars fans got one step closer towards seeing bringing their favorite teen detective back on the screen – the big screen, that is: A Kickstarter project to raise funds for a Veronica Mars movie that show creator Rob Thomas launched hit its funding goal of $2 million less than 10 hours after going live on the crowdsourcing site.

      The project is remarkable for a number of reasons:

      • It’s the fastest growing Kickstarter ever, hitting $1 million in just over four hours. Of course, these kinds of records are a bit in flux: The previous record holder Torment: Tides of Numenera, a Kickstarter for an RPG, reached its $1M just a week ago.
      • Veronica Mars gives Kickstarter some Hollywood star power. The project comes with the blessing and active support of Veronica Mars star Kristen Bell, who wrote Wednesday:

      “You have banded together like the sassy little honey badgers you are and made this possibility happen. i promise if we hit our goal, we will make the sleuthiest, snarkiest, it’s-all-fun-and-games-‘til-one-of-you-gets-my-foot-up-your-ass movie we possibly can.”

      • The fundraising campaign isn’t just another indie movie – it comes with the blessing of Warner Bros. Here’s how Thomas put it:

      “Kristen and I met with the Warner Bros. brass, and they agreed to allow us to take this shot. They were extremely cool about it, as a matter of fact. Their reaction was, if you can show there’s enough fan interest to warrant a movie, we’re on board. So this is it. This is our shot.”

      Of course, even the $2 M funding doesn’t mean that the plan for the movie can’t still derail. Thomas acknowledged himself that there are still numerous challenges ahead, including the schedule of everyone involved – something that was the biggest challenge for Netflix’s upcoming Arrested Development revival.

      But the mere fact that fans took this project this far, this quick is going to have an impact on Hollywood – and possibly give a number of previously abandoned TV shows a second shot.

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    • Don’t touch that dial: How YouTube is bringing adaptive streaming to mobile, TVs

      Have you ever played with the settings of a YouTube video to make it look better? YouTube Mobile and TV engineering head Andy Berkheimer would like you stop doing that.

      Don't touch that dial: YouTube's adaptive bitrate streaming makes manual adjustments unnecessary.

      Don’t touch that dial: YouTube’s adaptive bitrate streaming makes manual adjustments unnecessary.

      Berkheimer headed a project last year that brought adaptive bitrate streaming to the YouTube desktop player, enabling the player to automatically switch between different video quality settings based on your internet connection speed, among other factors.

      Now he is bringing the same technology to mobile devices and TVs. “We are making it work just as it should,” Berkheimer told me during an interview this week.

      From 240p to 4K

      That may sound simple, but optimizing video playback has been a long journey for the Google-owned video site. Berkheimer joined YouTube six years ago, when there was just one default video quality — 320×240, also known as 240p. “That was really, really grainy video,” recalled Berkheimer.

      Berkheimer joined YouTube when every video still looked grainy.

      Berkheimer joined YouTube when every video still looked grainy.

      His team used Google’s cloud infrastructure to allow for additional codecs, bringing HD and eventually even 4k to the site. But with higher bitrates, buffering also became more of a problem.

      The solution? Adaptive bitrate streaming, which is industry-speak for switching the quality of a video in midstream, without the need to re-buffer and start over. YouTube started switching from progressive downloads to adaptive bitrate streaming in its desktop player a year ago, and completed the process late last year.

      The new player is keeping close eyes on the speed and health of your internet connection, explained Berkheimer: “It’s continuously monitoring the bandwidth and the throughput it is seeing,” he said, adding that it also keeps tabs on the size of your player. Are you watching a video in full screen? Then you can expect YouTube to send you more bits, as long as your connection is fast enough.

      YouTube’s take on adaptive streaming

      Adaptive streaming isn’t new: Companies like Netflix and Hulu have used the technology for some time to optimize their streaming experience. But YouTube had some unique challenges to solve when it rolled out its own implementation. For example, Netflix often starts with a lower-bitrate stream and then slowly scales up, which is why it can take a minute or so before full HD quality sets in.

      That approach doesn’t really work for YouTube videos that only last a minute or two. YouTube tends to be more aggressive in sending out higher-quality video, and then scales down the video if necessary, Berkheimer explained. The site also makes use of the fact that you often watch more than one YouTube video in a row, and optimizes your bit rate across an entire session.

      The results of these efforts have been encouraging. YouTube has seen buffering reduced by 20 percent since it launched adaptive streaming for its desktop player. That’s why the company is now taking the technology to TVs and mobile devices.

      Next up: mobile and TVs

      YouTube on TV: Buffering is much more noticeable on the big screen.

      YouTube on TV: Buffering is much more noticeable on the big screen.

      Of course, TVs require a lot more HD video, and buffering becomes even more obvious when you compare it to the nonstop experience of a traditional broadcast. Berkheimer told me that YouTube is working with the majority of the TV industry to bring adaptive streaming to TV sets, and that virtually all models introduced at CES this year already support the technology. The company is also working to bring adaptive streaming of YouTube videos to game consoles.

      Mobile, on the other hand, comes with different challenges, as people move in and out of the reach of cell towers while they get their video fix on public transport.

      And then there is this: “One of the biggest challenges we have is the global nature of YouTube,” said Berkheimer. Average mobile internet speeds are much slower in India and Brazil than in the U.S. and Europe, but videos still have to play without long and tiresome buffering. Broadband in Canada on the other hand is fast, but tightly rationed, with major ISPs charging their customers extra if they go over their caps.

      That’s also one reason that those settings that allow you to manually change the bitrate of a YouTube video haven’t disappeared from the player yet — even though Berkheimer would very much like them gone. He told me that there have been some passionate discussions within the company about these manual settings. The result? For now, they’re staying.

      But Berkheimer and his team are still working hard so that you can completely ignore them. “The most rewarding thing is that users don’t have to think about it,” he said.

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    • Twitter music app ready to launch on iOS soon?

      Twitter is set to launch a standalone music app on iOS before the end of this month, according to CNET. The app, which is going to be called “Twitter Music,” has been built by the team behind the music discovery site We Are Hunted, which Twitter reportedly acquired late last year.

      We Are Hunted started out as a discovery service for music popular on P2P networks and music blogs, and has since branched out to provide music listening through its own apps on Android and Spotify. The team also previously built a number of iOS music apps, including one called Pocket Hipster.

      The new Twitter app will curate music based on the people you follow on Twitter, and then stream tracks from Soundcloud, according to CNET writer Casey Newton, who went on to explain:

      “Twitter Music uses four main tabs. ‘Suggested’ recommends songs and artists based on a user’s follower graph — artists they are following, and artists that other people they follow are following. #NowPlaying brings in links to songs tweeted by people you follow who tweet using that hashtag.”

      Twitter has been putting a growing emphasis on media in recent months. The company gave photos, audio and video a bigger space in its feed with the launch of Twitter cards last summer, and more recently launched its first video sharing app Vine. However, the apps reported reliance on Soundcloud as a music hosting provider shows that Twitter may still shy away from striking its own deals with major media companies.

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    • Netflix goes social, turns on Facebook integration for U.S. subscribers

      Ever wanted to know what your former college roommates are watching on Netflix? Now you’ve got your chance: Netflix plans to turn on its Facebook integration for U.S. subscribers Wednesday, allowing them to share their viewing behavior with their Facebook friends and get social recommendations for what to watch next. The integration followed some political wrangling about a little-known 1980s privacy law.

      Subscribers who opt in will see what their friends watch and like (click to enlarge).

      Subscribers who opt in will see what their friends watch and like (click to enlarge).

      U.S.-based Netflix subscribers can now connect their Facebook account to the video service, and then be able to view dedicated categories called “Friends’ Favorites” and “Watched by your friends” on the Netflix website as well as through the company’s apps on mobile and connected devices. Viewers can also opt into sharing all of their viewing behavior on Facebook’s website.

      The company said on its blog Wednesday morning that it will eventually offer additional social sharing functionality:

      “The Netflix social features will evolve with new capabilities being tested regularly. Upcoming tests include capabilities to allow members to explicitly share their favorite titles on Facebook and discuss with their friends.”

      There are some privacy provisions that are supposed to prevent over-sharing: Subscribers who opt into sharing their viewing data with Facebook can prevent the sharing of a title “by clicking Don’t Share This during the first few minutes of playback on most devices,” according to a Netflix help page. Titles that have already been shared can also be unshared — but cautious users may just want to turn off sharing altogether before they embark on some late-night B-movie binge viewing.

      Netflix first rolled out its Facebook integration in Canada and Latin America in late 2011, but bringing the feature to the U.S. was complicated by a 15 year-old privacy law called the Video Privacy Protection Act. That law was meant to prevent video rental stores from releasing data about the VHS tapes a customer rented, but it also prevented Netflix from sharing data with one’s Facebook friends.

      Netflix lobbied heavily to change the law, and Congress eventually amended it earlier this year, giving Netflix an opportunity to add Facebook integration for its U.S. customers as well.

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    • Vevo’s new live TV channel: it’s all about devices

      Vevo took another step towards becoming a full-on music TV network Tuesday with the launch of Vevo TV, a 24-hour live stream of curated programming. The channel is using MTV-like VJs, and is at launch available on the web as well as on mobile devices, Roku boxes and Xbox 360 gaming consoles.

      The company wants to eventually take Vevo TV to cable distributors to compete heads-on with MTV, according to an Adweek report, and it is also thinking about launching genre-specific live streams. Think Vevo Hip Hop, for example. But ultimately, going live is all about devices and the way they’re changing how we watch TV.

      Vevo has put a lot of work into apps for mobile and connected devices, which it built in-house with the help of a small team of San Francisco-based developers. Mobile was a big success for the company early on, and the launch of the Xbox app a year ago “turned out to be wildly successful,” as Vevo’s product and tech SVP Michael Cerda put it when we talked about the subject a few months ago.

      Vevo followed up with a Roku app in December, and Cerda told me that he wants to tackle additional connected TV platforms as soon as possible. “There is a huge opportunity for us there,” Cerda said.

      Continuous playback combined with curation makes a whole lot of sense for something like music videos on connected TVs. Users don’t want to pick up their remote control to pick and choose every single video, but instead want something up and running in the background without interruption. And if a viewer is ever bored by what’s playing on Vevo TV’s live stream, then there’s always tons of on-demand content available right within the same app. It’s the best of both worlds.

      So how do Vevo’s cable plans fit into this? Cable obviously has a much wider reach than a device like Roku, but the real lure are cable-sized ad-budgets. One could argue that Vevo might compete with itself if the same programming is available on cable set-top boxes and connected devices. But ultimately, those set-top-boxes are changing, and the distinctions between streaming and cable distribution are going to become less and less visible to consumers (to hear more about the future of TV, check out our paidContent conference in New York next month).

      In that world, a live TV channel – distributed on as many platforms as possible – will guarantee that consumers will always access to Vevo, no matter whether they’re streaming or viewing plain old TV. And that’s a smart move.

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      • BitTorrent opens up its P2P live streaming service to anyone with a webcam

        BitTorrent officially opened up the beta test of its BitTorrent Live streaming service at SXSW Tuesday morning, allowing anyone with a camera to stream live video to an unlimited number of viewers.

        BitTorrent Live can stream straight from your webcam.

        BitTorrent Live can stream straight from your webcam.

        Broadcasters can either start streaming with their webcam, or use an app like Flash Media Encoder to stream their program. Users will have to download the BitTorrent Live plugin to tune into any of the streams on the platform. The BitTorrent Live website can be used to find channels to watch, and broadcasters can interact with viewers through chat rooms on their channels.

        BitTorrent hasn’t said yet how it wants to monetize Live, but there may be less pressure to do so than for other live streaming services: Live uses P2P for video broadcasting, so there is little to no overhead to facilitate streaming.

        BitTorrent Live is the brainchild of BitTorrent inventor Bram Cohen, who has been working on the underlying P2P protocol for a number of years. BitTorrent started to test the service with a limited number of live events back in 2011, and gradually invited more broadcasters to join. Check out this interview I did interview with Cohen about live streaming all the way back in 2010 below:

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      • Rdio expands global footprint, Spotify reportedly extends free mobile offering

        Rdio, the music subscription service backed by the founders of Skype and KaZaA, is expanding to Ireland, Iceland, Italy, Latvia, Lithuania, and Austria as well as Mexico. That brings the total number of countries with a Rdio presence to 24. The announcement of the expansion comes on the same day as a Bloomberg report stating that Spotify is negotiating to bring its free, ad-supported mobile service tier to all of the countries it is operating in.

        Rdio, just as a refresher, is a subscription service that tries to set itself apart from market leader Spotify with a different take on social music curation. The company offers limited free music for up to six months, but doesn’t do ads.

        That’s different from Spotify, which launched a free, ad-supported mobile radio service in the U.S. last summer. The company is now looking to expand its free mobile tier to all of its 17 territories, Bloomberg reported Monday. Deals for such an offering are still under negotiation, but Spotify could start with its free streaming as early as April.

        ifpi subscription dataSpotify’s free mobile service is more like Pandora, offering users limited interactivity, with the hopes that some are going to subscribe to a full-service offering. And the interest in music subscriptions is definitely growing: Industry association IFPI’s latest Digital Music report (PDF) claims that worldwide, 20 million consumers paid for music subscriptions in 2012. And in Europe, subscription services made up for 20 percent of all digital music revenues during that time period.

        That number was largely driven by a strong showing in Northern Europe, which is Spotify’s home turf – but services like Rdio seem to bet that this success story can be repeated in countries like Austria as well.

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      • Netflix launches global ISP speed index website

        Netflix unveiled its Global Speed Index website Monday, aggregating performance results from its 33 million worldwide subscribers in one place, and allowing users to see which ISP offers the best Netflix performance in their country.

        And guess which country is leading the charge, offering its citizens some of the fastest Netflix speeds? That’s right, the United States. However, U.S. broadband only came in first because of Google Fiber, whose very few actual customers saw an average Netflix speed of 3.35 Mbps in February. Second in is the U.K., where Virgin customers averaged 2.37 Mbps during the same month. At the bottom of the list is Mexico, where the fastest ISP averaged at 2.10 Mbps.

        netflix speed index usa

        How U.S. ISPS are performing for Netflix viewing.

        Of course, these speeds are far below what most ISPs advertise for their services, but the averages include lower-bitrate SD fare, network slowdowns due to poor Wifi performance and all kinds of other factors. Or, as Netflix puts it:

        “The average is well below the peak performance due to many factors including home Wi-Fi, the variety of devices our members use, and the variety of encodes we use to deliver the TV shows and movies we carry. Those factors cancel out when comparing across ISPs, so these relative rankings are a good indicator of the consistent performance typically experienced across all users on an ISP network.”

        Still, the site is an interesting tool to compare broadband speeds both within the countries in which Netflix is active as well as between those markets — and for the company, it’s another way to nudge ISPs toward signing up for Netflix’s own CDN.

        Photo courtesy of Shutterstock user Sashkin.

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      • Cord Cutters: Taking a first look at the Roku 3

        Roku’s new Roku 3 is out, complete with a revamped UI and a remote control that sports a headphone jack. Check out our video review:

        Show notes for this episode:

        What’s your take on the new Roku, and especially the headphone jack? Worth a buy, or just a gimmick? Sound off in the comments below, get in touch with us on Twitter (@cordcutters) or email us at cordcutters @ gigaom.com. Also, please check out our new Google+ Cord Cutters community!

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      • Pandora Chairman and CEO to step down, search for successor begins

        Pandora Chairman, CEO and President Joe Kennedy is stepping down from his posts, the company announced today shortly after the release of its Q4 results. Kennedy, who has led the company since 2004, will remain in charge until Pandora has named a successor.

        Those quarterly results were mixed: for the company’s fiscal Q4 2013, which ended in January, Pandora clocked $125 million in revenue during that quarter, compared to $81.3 million during its fiscal Q4 2012. However, losses also grew substantially to $14.4 million, compared to $8.1 million a year ago. For its fiscal FY 2013, Pandora incurred losses of $37.7 million, which is up significantly from the $19.9 million it incurred in its fiscal FY 2012.

        Pandora has long struggled with finding a business model that matches its high licensing costs. The company spent 61 percent of its revenue last year on music licensing, and it has repeatedly pushed to lower the rates it has to pay rights holders.

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      • Google strikes deal with MPEG LA for its VP8 video codec

        Google has struck a licensing deal with media codec patents licensing company MPEG LA that clears the path for a wider adoption of Google’s open VP8 video codec and its WebM video format. The deal means that MPEG LA will abandon its efforts to form a patent pool and go after Google and other users of VP8 and previous-generation video codecs owned by Google. It also clears the path for the development of VP9, which is currently underway at Google.

        A press release quotes MPEG LA President and CEO Larry Horn with the words:

        “We are pleased for the opportunity to facilitate agreements with Google to make VP8 widely available to users.”

        Google’s deputy general counsel for patents Allen Lo is quoted saying:

        “This is a significant milestone in Google’s efforts to establish VP8 as a widely-deployed web video format. We appreciate MPEG LA’s cooperation in making this happen.”

        There is no word on the financial details of the deal, but one can assume that Google paid enough to get on MPEG LA’s good side and license patents from 11 companies that could be essential to VP8. It’s worth pointing ou that Google will be able to continue to freely relicense VP8, meaning that MPEG LA doesn’t have a claims against anyone using the codec.

        Video codec patents are as inside-baseball as it gets in the online video industry. But this deal could have far-reaching implications for a whole range of applications from premium video services to video conferencing, which is why it’s worth to take a look back at the conflict between MPEG LA and Google:

        Google open sourced VP8 as part of its WebM video format back in May of 2010. Right away, VP8 got attacked by patent holders for allegedly violating patents related to video compression and other technologies that are part of the competing H.264 video codec.

        MPEG LA, whose business includes H.264 licensing, threatened to form a patent pool against VP8 just days after Google released the codec. The company followed up on this threat in 2011, when it said it had identified 12 companies whose patents were essential to VP8.

        Google long rejected these threats, and they didn’t stop the company from using VP8 or working on a successor format. However, there definitely was a chilling effect: Microsoft in particular expressed concerns about patent liabilities, and said it wouldn’t add support for WebM to Internet Explorer until these were resolved.

        That not only hampered efforts to make WebM the default choice for plugin-free, HTML5-based video on the web, it also complicated industry-wide efforts to come up with a common standard for real-time video communication: Think video chat, but without the need to download Skype or any browser plugins.

        Google is driving force in these efforts, which are known as WebRTC. Microsoft is participating, but has pushed for a standard that’s substantially different from Google’s implementation, in part because it doesn’t want to rely on VP8. A license for VP8 could possibly help to ease these concerns and get everyone to agree to a common standard more quickly.

        Updated at 12:55 pm to clarify the licensing arrangement between Google and MPEG LA.

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