Sure, these days it seems like everyone has an iPhone, but in bizarro 2010 literally everyone has a watchphone. They’re miniature. They’re wireless. They have geometric buttons. And they’re eating bizarro AT&T’s bandwidth alive. Oh, 1995, you are so naive.
This ad was dug up by Wired Reread, a site that does just what its name suggests. Sometimes it’s funny, sometimes it’s sad, sort of like looking at the promises people wrote in your middle school yearbook. [Wired Reread via BoingBoing]
In today’s Remainders: tomorrow’s news! Cisco’s ushering in the next generation of internet with the CRS-3; Kempler & Strauss’s futuristic PhoneWatch gets reviewed; geolocated Tweets; a WebKit-borrowing Firefox; an HTML 5 drawing app; Samsung’s point and shoot prices, and more!
Hang Ups
Back in October we previewed the Kempler & Strauss PhoneWatch—the smallest of its kind and the model that promised to bring the James Bond dream to every geek’s wrist. Or so we hoped. PC Mag just published their review of the watch and found it “basically unusable,” complaining about the tiny screen and how texting (as you might assume) was pretty much impossible. As they point out, i’s a one way street, this watch/phone business: your phone will always be able to tell the time, but your timepiece will not always be able to make phone calls. [PC Mag]
Tubular
Last night Cisco grabbed our attention with its promise that it was soon to make an announce that would “forever change the internet.” This morning they unveiled their internet changer: the Cisco CRS-3 Carrier Routing System. Doesn’t sound very exciting, does it? Basically, the new server triples the capacity of Cisco’s current ones, allowing for 322 Terabits per second transfer and ushering in, Cisco hopes, the “next generation” of the internet. Sure, that’s great, but even with crazyfast back-end, there are still plenty of things limiting the speed of the intertubes. Cisco’s claims for the CRS-3 are impressive, for sure:
The Cisco CRS-3 triples the capacity of its predecessor, the Cisco CRS-1 Carrier Routing System, with up to 322 Terabits per second, which enables the entire printed collection of the Library of Congress to be downloaded in just over one second; every man, woman and child in China to make a video call, simultaneously; and every motion picture ever created to be streamed in less than four minutes.
But if it’s only three times as fast as the one that came before it, Cisco’s current platform can stream every movie ever made in twelve minutes. It took me like two hours to download Lost last week, so I’m not ready to say that Cisco forever changed anything just yet. [Cisco]
Firey Fox
Firefox’s JavaScript engine, TraceMonkey, is starting to fall behind some of the other browser monkeys, so Mozilla is building a new engine, JagerMonkey, to get back up to speed. Ars Technica reports that Mozilla will snatch code from Apple’s WebKit to add to their TraceMonkey optimization techniques. David Mandelin, a developer on the project, explained:
The reason we’re [building JägerMonkey] is that TraceMonkey is very fast for code that traces well, but for code that doesn’t trace, we’re stuck with the interpreter, which is not fast. The JägerMonkey method JIT will provide a much better performance baseline, and tracing will continue to speed us up on code where it applies.
From the sound of things, JagerMonkey is aiming to put the fire back in the fox. [Ars Technica]
Image credit Smoking Apples
Gates’ Cells
Intellectual Ventures, the very cool, very smart invention factory we’ve covered before, has a new patent for the modification of red blood cells. Edward Jung, Intellectual Ventures’ CTO, explains:
Red blood cells are odd cells in the body because they have no nucleus. Thus they are ‘stripped down’ cells that cannot reproduce and cannot renew themselves; therefore they die quickly and must be constantly manufactured by special cells in the bone marrow. All these attributes make red blood cells interesting vessels for sensing devices and medicines. There is no risk of their reproducing thereby creating a hazard, nor is there a lot of machinery to run awry.
We’ll take your word for it, guys. [TechFlash]
Doodling
We’ve already explained why HTML 5 isn’t going to save the internet. But it might save you from a few hours of office drudgery, in the form of Harmony, an awesome HTML 5 drawing app. Warning: Not Safe For Productivity. [Harmony]
Tweetin’ All Over the World
These days, social media seems to be focused on location, location, location. Foursquare is more popular than ever. Buzz, despite its faults, is a big play by a big company the location game. And Facebook is set to roll out its location-based solution next month. Today, geolocated Tweeets went live on Twitter.com (only to be turned off a few hours later). Still, Twitter is expected to turn the service on for good any day now, adding yet another element to Twittermania, for better or for worse. [TechCrunch]
Pricetags
We were very excited when Samsung’s new point and shoots, the TL500 and the TL300, first splashed on the scene last month. Now we have prices: the TL500 will go for $449 and the TL350 for $349. As for the “rugged” cams, the water-friendly AQ100 will have a price tag of $199 with the SL605 going for $129. [Engadget]
Browsin
Lab 126, the unit in Amazon responsible for the Kindle, posted a new job opening looking for someone to help build “an innovative embedded web browser.” The Kindle’s web browsing capabilities have been, well, lacking, so a more fully realized browser would be a welcome addition. And maybe a necessary one, if Kindle’s going to keep up with the iPad and its finger friendly version of Safari. [All Things D]
This is the gear that gets our troops excited. Microflown Technologies’ tiny sensor listens for the sounds of war by measuring particles in the air. Then it reports what weapon made the sound and where that sound originated.
The sensor uses a technology, developed by Microflown, called acoustic vector sensing. AVS heats two 200-nanometer wide platinum strips to 200 degrees Celsius and measures how passing air particles cool them down. From those cooling patterns, Microflown’s proprietary software can determine not only what the sound is but also where it came from.
There are other technologies that can do the same type of thing, but they all have their own unique disadvantages: radar-based solutions are traceable; others require the deployment of large apparatuses, and some need multiple sensors to triangulate sounds.
Microflown’s matchstick almost seems too good to be true, but several nations’ armies—including the Netherlands, Germany, India, Poland, and Australia—are currently testing out the tech and seeing what they hear. [DVICE]
In today’s Remainders: comings and goings. Google Latitude refuses to Buzz off; Dell’s super skinny Adamo XPS vanishes into thin air; cable subscribers say Hello to channels they never knew existed; and some users just can’t part with their iPhones.
Raditude
Amidst all the buzz around the launch of Google Buzz, a few peopled stepped back and asked how Google Latitude fit into the company’s ambitious new social platform. In an interview with eWeek, Google Latitude project manager Steve Lee explained that the plucky Latitude was still being developed independently of Buzz. Latitude, he explained, is about “friend-finding,” whereas Buzz is about “creating conversations.” On the future of both: “Down the road, there might be points of integration between Buzz and Latitude, but they are separate products and have different use cases.” So there you have it: Latitude lives on. [eWeek]
Cable Costs
In the last decade, the number of cable channels served to your TV has probably tripled. I remember when I used to just have MTV. Now I have MTV, MTV2, MTV Tres, MTV Hits, MTV Jams—at some point, no matter how many rap music videos you watch, you have to ask yourself if there’s a better way. A la carte cable has been tossed around as one solution for as long as there have been cable packages, but the answer is always the same: it isn’t financially feasible for the content providers. But it’s still a nice thought, so if you want to pretend to dine a la carte, here’s your menu (these are, of course, the wholesale subscription fees, but it still gives you an idea of the prices the different channels command). As Peter Kafka notes, about 40% of your monthly cost goes to sports channels. Fine if you’re a big sports fan, sort of irritating if you’re not. [All Things D]
iLove
Yeah, yeah, we love our iPhones too, but this is just weird. A recent survey of 200 iPhone-owners at Stanford University showed just how strongly people feel about their smartphones:
Nearly a quarter of those surveyed reported that the iPhone felt like an extension of their brain or body.
Ok, kinda bizarre, but the idea of iPhone as a brain-enhancer is sort of understandable. Less understandable, however:
There was also a tendency among the survey participants to anthropomorphize their iPhones and treat it differently than other electronics. For example, 3 percent of the students said they don’t let anyone touch their iPhone; another 3 percent have named their iPhone; 9 percent have patted their iPhone and 8 percent admitted that they have at some time thought “My iPod is jealous of my iPhone.
If 19 out of every 200 people are patting their iPhones, I shudder to think of the weird technolust that will go down when the iPad arrives next month. [LiveScience]
Image credit Mat Honan
RIP XPS
It’s not every day that we get really excited over a new laptop’s design, which is why Dell’s insanely thin Adamo XPS was such a breath of fresh air. It seems, however, that it was just a little too thin for its own good; today the Adamo XPS disappeared from Dell’s website. CrunchGear followed up with a Dell chat representative and confirmed that the XPS is gone for good. True, it never seemed like the healthiest machine, but it did turn heads with its unique design, and we’re sad to see it go. As CrunchGear mentions, last year’s SXSW saw the debut of Dell’s Adamo line, so maybe they’re just clearing the way for their next skinny system. [CrunchGear]
Panasonic has pulled the sheets off two new Lumix Micro Four Thirds cameras: the touchscreen DMC-G2 and the super light G10. Both shoot 720p video, but the G2’s bendy, touch control screen makes it a Micro Four Thirds stand out.
The DMC-G2 is the direct descendant of the Lumix G1, the first ever Micro Four Thirds camera. It has a 12.1MP Live MOS sensor and shoots 720p video in AVCHD lite, activated by a dedicated video record button. But its real claim to fame: being the first interchangeable lens system camera with a bendy, twisty touchscreen that can be used to control the camera.
The 3″ LCD screen has that 460,000 dot resolution goodness you’re looking for and some neat features you might not be expecting. Focus can be adjusted by touching the desired subject on the screen, and photos can be snapped giving it an additional tap. It rotates 180 degrees side to side and tilts 270 degrees up and down—basically you can get to it no matter how you’re holding the camera.
Also, it’s available in black, red, and blue. Cool.
The G10 is more of an introductory affair, boasting the claim as the lightest micro four thirds to still sport a digital viewfinder. To make things easy, G10 offers a bevy of beginner friendly settings: Intelligent Auto mode, MEGA O.I.S. for eliminating shaky hand-blur, Intelligent Exposure and more.
The G10, like the G2, has a 12.1MP Live MOS sensor and can grab 720p HD video. The camera has a 460,000 dot 3″ LCD as well as a 202,000 dot equivalent viewfinder.
Both the G2 and the G10 come with the new Vario 14-42mm/F3.5-5.6 compact zoom lens (35mm equivalent to 28-84mm) as part of their kit.
Pricing will be announced a month before the cameras ship. Check below for full press releases.
LUMIX DMC-G2, WORLD’S FIRST* INTERCHANGEABLE LENS SYSTEM CAMERA WITH TOUCH-CONTROL MOVABLE LCD
Panasonic LUMIX G2 Features a 3-Inch Touch-Screen, Allowing for Quick and Intuitive Setting Changes, such as Focus, with a Single Touch
Secaucus, NJ (March 7, 2010) – Panasonic today announces the LUMIX DMC-G2, the world’s first* digital interchangeable lens system camera with a movable LCD that allows for touch-control, and the successor to the award-winning and revolutionary LUMIX G1, which was the world’s first Micro Four Thirds digital camera. The intuitive touch-control shooting elevates the camera’s operability, letting the user adjust auto focus (AF) simply by touching the subject on the large 3.0-inch 460,000-dot high- resolution LCD. The LUMIX G2, also shoots 720p High Definition video using the AVCHD Lite format, and joins the LUMIX G10, also introduced today, as the latest models in the LUMIX G Micro System.
With the touch-screen operation, users can even snap a photo by touching the LUMIX G2’s screen. Additionally, the touch-screen operation excels not only for shooting but also during playback. Users can touch one thumbnail viewed among many to quickly and easily see the full size of the desired photo. Also, to view images one-by-one, photos can be dragged across the screen to browse as though flipping the pages of a book.
“With the LUMIX G2, Panasonic is pleased to continue to lead the evolution of the Micro Four Thirds platform and also be the first in the industry to offer a touch-screen interchangeable lens system camera,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “Touch-operation is a user interface with which many consumers are both familiar and expect, and we think the LUMIX G2’s touch-operation makes it easier and quicker to take photos and videos that have professional-like effects.”
Using the touch-screen operation, once a user locks onto a subject, the LUMIX G2 enables AF Tracking and will track the subject as it moves within the frame. Then, with a touch on the screen, users can select the part and the size of AF area with the 1-area AF. The Multi-area AF sets a group of AF points according to the composition. While using the manual focus, users can enlarge a subject by touching it and then choosing to enlarge it by 1x, 5x or 10x and then smoothly moving the part by dragging it on the screen. With this touch operation, menu settings can be changed quickly; cutting the time it takes to navigate using standard cursors. However, all setting changes can still be done using the control pad, if preferred.
The LUMIX G2 records 1280 x 720 HD videos in the AVCHD Lite format, which increases recording capacity and is highly compatible with audio-visual equipment. With a dedicated video record button, users can easily start recording a video. To complement its high-quality video capabilities, the LUMIX G2 features advanced audio options, as sound is recorded with Dolby Digital Creator and an optional accessory stereo microphone can be attached. A Wind Cut function further enhances the sound as it helps reduce noise caused from background wind.
The 3.0-inch touch-operation LCD has a wide-viewing angle and rotates 180° from side to side and tilts 270° up and down, providing approximately 100% of field of view. This free-angle LCD with a touch-screen operation makes it possible to both view and touch the screen from any angle. The double Live-View function offered by the high-resolution, 460,000-dot free-angle Intelligent LCD and 1,440,000-dot 1.4x (0.7x) Live View Finder allows users to see the settings’ results before pressing the shutter.
The 12.1-megapixel Live MOS sensor featured in the LUMIX G2 offers the best of both worlds – the outstanding image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology enables it to read four channels of data simultaneously, helping the LUMIX G2 to deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation. Plus, with the high-speed, high-performance Venus Engine HD II, which has been re-engineered to further improve image quality.
The new high-speed, high-performance Venus Engine HD II supports the new image processing technology Intelligent Resolution, which enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation – are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achieve a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.
For users looking for additional creative options for both photos and videos, the LUMIX G2 delivers. While shooting HD video, users can set the camera in “P” mode – to change the aperture for professional-like movie effects where the images blur into focus. For still photos, the LUMIX G2 features the My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, and Silhouette while also keeping the Custom mode, which lets users manually set the color, brightness and saturation levels and save their favorite settings into memory.
On the other hand, for beginner users not yet ready for manual modes – the LUMIX G2 features iA (Intelligent Auto), a popular setting in the LUMIX point-and-shoots that automatically engages features and settings for optimal image quality by detecting the shooting environment. Panasonic iA is available in both still photo and video recording settings and a new dedicated iA button, which illuminates in blue when engaged, makes it even easier to use this handy feature.
Other features of the LUMIX G2 include:
• Dust Reduction System: If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the G2 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.
• Included Software: PHOTOfunSTUDIO 5.0 HD Edition makes it possible to sort and organize photos. Videos can be uploaded directly to YouTube using the built-in YouTube uploader – even in HD quality. It also lets you create a 360-degree rotation panorama file in .MOV files. The software is compatible with the Windows 7.The Panasonic LUMIX G2 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. Additionally, the LUMIX G2 is compatible with all Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera.
The LUMIX DMC-G2 and other LUMIX G Micro System digital cameras can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R. Other accessories include external flashes, filters, a remote shutter, HDMI mini cables and a variety of stylish straps and bags. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix. The Panasonic LUMIX G2 will be available in red, blue and black models and pricing and availability will be announced 30 days prior to shipping date.
PANASONIC LUMIX G10, WORLD’S LIGHTEST* DIGITAL INTERCHANGEABLE LENS SYSTEM CAMERA WITH A VIEWFINDER
Compact and easy-to-use, the LUMIX G10 shoots high-quality photos and HD video and is an approachable alternative for users new to system cameras
Secaucus, NJ (March 7, 2010) – Panasonic today introduces an addition to its Panasonic LUMIX G Series, the LUMIX DMC-G10, the world’s lightest* digital interchangeable lens camera with a viewfinder, which packs a host of advanced digital camera functions designed to be easy-to-use for users new to system cameras. The new compact and portable LUMIX G10, which can record High Definition (HD) video in addition to high-quality still images, joins the LUMIX DMC-G2, also introduced today, as part of the Panasonic LUMIX G Series.
“The LUMIX G Micro System has revolutionized the photography industry ever since the release of the Panasonic G1, the world’s first interchangeable lens system camera based on the Micro Four Thirds System standard,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “We continue to expand this award-winning LUMIX G Series, and with its easy-to-use features and compact size, we expect the G10 to attract a lot of new users who want to step-up from their point-and-shoots.”
The LUMIX G10, with its incredible compact body and portable design, uses a mirrorless structure as part the Micro Four Thirds System standard, eliminating a number of components that are found in a conventional interchangeable lens camera, including the mirror box and optical viewfinder unit. This innovative structure allows for the LUMIX G10 to be the world’s lightest system camera in a compact digital camera design that is a desired feature for new users. Adding to its lightweight body, the LUMIX G10 will come equipped as part of its kit, with the newly announced LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens. The new lens offers a versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for shooting a wide-range of scenes, from dynamic landscape to portrait.
Panasonic designed the LUMIX G10 to be easy to use offers iA (Intelligent Auto) mode – with its shooting assist functions that have proven extremely popular in LUMIX compact cameras. Panasonic’s iA (Intelligent Auto), an easy shooting mode with automatic optimization according to the scene in either photo and video recording, is helpful to beginner users unfamiliar with an interchangeable lens system camera. With the new dedicated iA button, which illuminates in blue when engaged, activating this mode is even easier and can be used to shoot both photos and videos.
When shooting still photos, iA offers the following: MEGA O.I.S., which helps prevent blurring from hand-shake; Intelligent ISO Control, which reduces motion blur by adjusting the ISO sensitivity if the subject moves; Intelligent Exposure optimizes exposure for each part of an image, preventing blocked shadows and blown highlights and helping ensure that gradation and details are reproduced properly; Intelligent Scene Selector detects the most common shooting situations – Portrait, Night Portrait, Scenery, Night Scenery, Close-up and Sunset – and switches to the appropriate Scene mode automatically – no setting changes needed.
The LUMIX G10 can record 1280 x 720 HD video in Motion JPEG, QVGA, VGA and WVGA formats. Users can enjoy recording HD videos while taking advantage of the high quality lens and the flexibility to change to other lenses. Even users new to recording videos will find the LUMIX G10 makes it easy. Panasonic’s iA for video offers the following: Optical Image Stabilizer (O.I.S.) helps prevent handshake when using high-powered zoom; Face Detection** automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion; Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows; Intelligent Scene Selector automatically switches between Normal, Portrait, Close-up, Scenery, and Low Light modes according to the situation to optimize visual quality.
With AF Tracking, the LUMIX G10 can lock onto any subject and keep it in focus even if it moves – making it easy to get beautiful, clear shots of moving subjects, such as children and pets. Simply aim, lock, and shoot. The Face Recognition function remembers registered faces to give an appropriate AF/AE on the people. In playback, you can choose to display only photos that contain a specific registered face using Category Playback. The contrast AF system adopted by the LUMIX DMC-G10 is not only accurate and easy to use, but also very fast. Users can choose from a wide range of AF modes, including AF Tracking, 1-area AF, Face Detection AF/AE and 23-area AF.
The LUMIX G10’s Live View Finder, with a resolution of 202,000-dot equivalent, 1.04x (0.52x*) retains the viewability of an optical viewfinder and displays information about its settings that users can see without removing their eye from the subject. The 60 fps Live View is powered by the Live MOS sensor, which takes signals directly from the image sensor and sends them continuously to the LCD, in real time. Both the Live View Finder and LCD provide approximately 100% field of view. This allows the user, when composing a shot, to check the framing accurately from corner to corner. The 3.0-inch large 460,000-dot high-resolution LCD with wide viewing angle automatically controls the brightness according to the situation as an Intelligent LCD.
The 12.1-megapixel Live MOS sensor and the new Venus Engine HD II help to separate chromatic noise from luminance noise and apply the optimal noise reduction to each, so users can capture clear and beautiful images even when shooting at high ISO sensitivity levels. The high-speed, high-performance Venus Engine HD II, which has been re-engineered to incorporate the new image processing technology, Intelligent Resolution, enables the recording of beautiful photo and HD video with high quality signal processing. With Intelligent Resolution technology, three areas – outlines, detailed texture areas and soft gradation –are automatically detected. The outline parts are enhanced effectively to give edges increased clarity, while simultaneously giving a moderate accentuation to the textured areas so they look finely detailed. For the soft gradation areas, the improved noise reduction system of the Venus Engine HD II is applied to achiever a smoother effect. Apart from the uniform enhancement of sharpness, the innovative technology Intelligent Resolution precisely performs signal processing pixel by pixel in the most effective way, resulting in images that are naturally clear.
All Panasonic LUMIX G Series digital cameras are equipped with the highly-efficient Dust Reduction System. If dust or other foreign matter gets inside the LUMIX G10 while changing lenses, it could cling to the image sensor and show up as a spot in your photos. However, with the Dust Reduction System, it helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively.
Other features of the LUMIX G10 include:
• My Color mode with a total of seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette. Also includes Custom mode, which lets users manually set the color, brightness and saturation levels. For beginners, the LUMIX G10’s full-time Live View function lets users see how these settings will affect the images before they shoot, making it easier to capture the exact mood or atmosphere desired.
• Scene modes total 26, including the Peripheral Defocus mode, which lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.
• Exposure meter can be displayed in the P/A/S/M shooting modes. The correlation between shutter speed and aperture is shown, with a color-coded warning system that alerts users when the settings are not in the proper range. For those new to system camera digital photography, this makes it easy to learn proper settings both visually and logically, enhancing their photography skills.The Panasonic LUMIX G10 is compatible with Micro Four Thirds System lenses, allowing users even higher levels of performance in a digital interchangeable lens camera. In addition to LUMIX G lenses, the LUMIX DMC-G10 and LUMIX G Micro System can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R Lenses via DMW-MA2M or MA3R.
Pricing and availability for the Panasonic LUMIX G10 will be announced 30 days prior to shipping date. It will be available in black. To learn about the Panasonic LUMIX Micro Four Thirds System and all the available accessories, visit www.panasonic.com/lumix.
PANASONIC ANNOUNCES COMPACT AND LIGHTWEIGHT STANDARD ZOOM LENS FOR LUMIX G SERIES DIGITAL CAMERAS
SECAUCUS, NJ (March 7, 2010) – Panasonic today introduces a new interchangeable lens for its LUMIX G Micro System, the ultra-compact and lightweight LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens offers versatile zoom range of 14-42mm (35mm camera equivalent: 28-84mm), making it suitable for a wide variety of scenes, everything from dynamic landscape to portrait. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens will be part of the kit lens for the latest additions to the LUMIX G Series of digital cameras: the LUMIX DMC-G10 and LUMIX DMC-G2, also introduced today.
The new LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens incorporates Panasonic’s MEGA O.I.S. (Optical Image Stabilizer), which makes it easy to shoot clear photographs, even in low-lit situations, by suppressing the blur caused by a shaky hand. Adopting an inner-focus system driven by a stepping motor, the superior optical design realizes outstanding smoothness to support the high-speed AF (Auto Focus) system of LUMIX G cameras. When mounted on any of these cameras, this new lens allows users to maximize all of the AF system’s functions.
With its minimum focus distance of 30cm even at full zoom, this lens provides a maximum photographic magnification of 0.32x (35mm equivalent). Seven aperture blades make up a circular aperture diaphragm to produce an attractive smoothness in out-of-focus areas even when shooting at a large aperture. The LUMIX G VARIO 14-42mm/F3.5-5.6 ASPH/MEGA O.I.S. lens system uses multi-coated lens elements that reduce blur, helping to deliver superior performance. This new lens system also features excellent contrast even at its highest zoom level. The inclusion of an aspherical lens improves optical performance by minimizing distortion, even at the 28mm wide end. For more information on the Panasonic LUMIX G Series digital cameras, lenses and accessories, please visit www.panasonic.com/lumix.
Point: As my fellow Jalopnik readers would agree, the thought of an au-to-MO-bile running on some coffee beans is equally laughable and insulting. Counterpoint: As my fellow coffee drinkers would agree, this is an utter disgrace to our holy bean.
Countercounterpoint: Carpuccino? Really?
A while ago we read that coffee-based biofuels were feasible. Knowing the internet as we do, we figured it was only a matter of time before somebody took that novel possibility and turned it into an absurd reality. We were right! The Carpuccino, a 1988 Volkswagen Scirocco modified to run on ground coffee, will drive 210 miles between Manchester and London in the coming weeks.
The trip will require over 150 pounds of coffee, with the car getting a mileage of roughly 1.4 miles per pound. The vehicle can hit speeds of 60mph, though the trip could take as long as ten hours, as the car has to stop every 60 miles to clean out its coffee filters (seriously).
The joke on wheels was built by the BBC1 show Bang Goes The Theory as a reminder that unconventional fuels can power vehicles. Sidebar: the Carpuccino’s trip will cost up to 50 times as much as it would if it were running on gas.
All that being said, I think we can agree to set aside whatever qualms we may have with the Carpuccino in light of its similarities, aesthetic and otherwise, to Doc Brown’s Mr. Fusion-equipped DeLorean from Back to the Future II.
Espresso? Where we’re going we don’t need espresso. [Daily Mail via Green Diary]
Nvidia posted a preview video of the GTX 480, their eyeball-popping, face-melting Fermi graphics card that is set for release “very, very soon.” It bests ATI’s HD 5870 in a benchmark, though maybe not by as much as you’d hope.
As Tom Petersen, Nvidia’s director of technical management, explains in the video, the GTX 480 shines when it’s tessellation time. During the tessellation-intensive parts of the benchmark, Nvidia’s card outpaces ATI’s considerably, though at other points they’re neck and neck.
It seems obvious that Nvidia would choose something that really played to the GTX 480’s strengths for its video debut, so we’re hoping that the card lives up to our expectations for insane speeds when it shows up in the wild and people start running their own tests. [YouTube – Thanks Doug]
We’ve come across plenty of robots that were controlled by phones before, but usually those phones were being controlled by human hands. Some California hackers, however, are building bots that harness Android for their robo-brainpower.
Their first creation, the TruckBot, uses a HTC G1 as a brain and has a chassis that they made for $30 in parts. It’s not too advanced yet—it can use the phone’s compass to head in a particular direction—but they’re working on incorporating the bot more fully with the phone and the Android software. Some ideas they’re kicking around that wouldn’t be possible with a dinky Arduino brain: face and voice recognition and location awareness.
If you’re interested in putting together a Cellbot of your own—can you even conceive of a cooler dock for your Android phone? Or a better use for your G1?—the team’s development blog has some more information. The possibilities here are manifold; mad scientists, feel free to share your Android-bot schemes in the comments. [Wired]
Image credit Miran Pavic / Wired.com
Costing just a cent to produce and requiring just a single drop of blood to function, this paper chip, designed by chemist George Whitesides, can diagnose HIV, tuberculosis, malaria and more. What substance makes this tiny marvel possible? Comic-book ink.
The water-resistant ink pushes the blood into the different paper channels, each of which contain chemicals that react with the blood and change color to indicate the presence and severity of the various diseases.
In developing countries where technology for diagnosing diseases needs to be cheap and easy for individuals to use themselves, it’s hard to imagine a test simpler than Whitesides’ “zero cost diagnostics”. The Harvard chemist presented his idea at a recent TED conference and summarized it in a video for CNN:
In his presentations, Whitesides explains how the paper tests could be produced cheaply in great numbers by inexpensive wax printers and proposes that individuals could send their results to doctors with cheap camera phones. Solutions for third world problems are often weighed down by their ambition and complexity, but the advantages of Whitesides’ work rests in its simplicity. [CNN via PopSci via Inhabitat
This week’s New York Times Magazine looks at China’s human-flesh searches, a widespread practice in which “netizens” systematically track and harass individuals ranging from adulterers to corrupt local officials. But the searches tread a fine line between justice and revenge.
To anyone familiar with 4chan, its hard to imagine internet vigilantes residing anywhere besides the darkest corners of the web. In China, however, human-flesh search engines are a common occurrence, occupying a central role in the nation’s internet culture.
The human-flesh searches are “not just a search by humans but also a search for humans”—humans that have in some way incurred the wrath of the anonymous bulletin board mob. One target, in an act of undeniable cruelty, killed a kitten on video (she was publicly shamed and forced out of her job). Another was singled out after criticizing the government’s response to the Sichuan earthquakes (she was publicly shamed and forced out of her University).
This is where things get sticky. When, if ever, is it OK for the anonymous masses to dole out punishment for wrongdoing? What offense warrants this type of “public harassment, mass intimidation and populist revenge,” as the article suggests it can quickly become. It’s easy to see how a group could feel like they had the right to take retributive action after seeing a kitten killed on video, but it’s much harder to make a case for searching out an anonymous dissident.
As the article points out, the rest of the world tends to fixate on issues of censorship when they consider China’s internet culture. But reading about human-flesh search engines and their prominence, it seems like the internet activity that’s not being censored is just as interesting. [New York Times Magazine]
Image credit Kai Hendry
In 2006, a NASA spacecraft returned to Earth with samples that scientists hoped might contain cosmic dust, a byproduct of star formation. They let the public look for the elusive particles online. A squinting citizen might have just found one.
The particles in question are pieces of interstellar dust, a substance containing atoms formed during the birthing of the sun and our neighboring planets. Don Brownlee, a researcher at the University of Washington, likens the dust to a “library of what was in the early solar system.”
You would assume that the first cosmic dust would be discovered in a laboratory by some crazy-haired scientist, but the distinction may go to a Canadian man named Bruce Hudson. Hudson was a participant in Stardust@home, a program that anyone with an internet connection use a virtual microscope to scour the samples for these particular particles. Scientists are currently analyzing Hudson’s find and are “cautiously optimistic” that it is the first cosmic dust ever to be returned to Earth.
If Hudson’s particle is indeed interstellar dust, the discovery could give unprecedented insight into the formation of our solar system and the processes by which our universe recycles its materials. It also goes to show that armchair astronomers can really make significant scientific contributions.
So good work, Bruce Hudson. Now get busy on SETI@home. [BBC via PopSci]
Whoa. During the keynote presentation at TechEd Middle East in Dubai, Microsoft’s Eric Rudder played the same Indiana Jones-ish game on a Windows computer, a Windows Phone 7 phone, and an Xbox 360. Gaming is about to get real ubiquitous.
Not only is the game itself playable on all three platforms, but the session is maintained when you move from device to device: if you’re playing on your Xbox and have to run out the door, you’ll be on the same level when you fire it up on your Windows Phone 7 Series phone. Basically, you’ll never have an excuse not to be gaming.
I’m sure this is very exciting to some of you and a little scary to others. Regardless of its potential for crippling your productivity and taking out your social life at the knees, it’s pretty amazing stuff. Presumably we will be seeing more cool tidbits like this in the next few weeks when MIX and CTIA roll around. [Engadget]
Now that you know you’ll have your sweaty hands on an iPad on April 3, you can start fussing over the other stuff you’ll need for your shiny new gadget. This Vers case is pretty and has one of those..um…
One of those things that keeps a bicycle upright. What do you call those? Footprop? No that’s not it. Lean-to? No that’s something else I think. Quicksand? Quicksand! Oh that’s close—it’s on the tip of my tongue. Oh yeah. KICKSTAND.
That’s right, the Vers case will not only let you forget that your iPad’s chunky black bezel ever existed, it will also prop your iPad up with a convenient wooden peg. If you’ll remember, the possibility of a kickstand was a topic of much debate in the months leading up to the iPad’s unveiling, and though the device itself does not sport one, this looks to be pretty close to the simple, effective implementation most of us had in mind.
The case itself is crafted by hand from hardwood and bamboo and is reinforced with steel to keep your iPad safe. It has openings for the 30 pin connector and volume controls and is top-loading so you can slip your iPad in and out without much trouble.
The case will be available for preorder soon from Vers for $80 (they make a snazzy iPhone one, too). Did I mention it had a kickstand? [Vers Audio]
If you’re sick—literally or figuratively—of 3D now, just wait until the end of the month. HD Guru has Best Buy’s schedule for rolling out 3D capable HDTVs and Blu-ray players from Samsung and Panasonic, and they’re coming soon.
The Guru claims that sales and demonstrations of 3D gear will commence at 200 Best Buy locations on March 10—as in, like, Wednesday. According to his sources, that initial blast will feature Panasonic’s 50″ TC-P50VT20 plasma 3D HDTV—we’ve heard it will retail for around $3500—in tandem with their DMP-BD350 3D Blu-ray player.
On March 21, Samsung will apparently join the fray, showing and schilling their LED 3D HDTVs—the 46″ UN-46C7000 and the 55″ UN-55C7000—along with the awesome-looking BD-C6900 3D Blu-ray player at 900 Best Buy locations. TechRadar checked out this package earlier this week and said that if you decide to take the plunge, you won’t be sorry you did.
We’ve heard for a while now that Monsters vs. Aliens will be the first 3D Blu-ray movie available, and HD Guru reports that it will be available as part of a promotional package with Samsung’s gear on the 21st. [HD Guru]
Though it seems like the weather’s warming up now, think back to February when Mother Nature was piling on the snow with callous indifference. Feel that bitter cold on your face, that strain in your lower back. Now meet RoboPlow.
This is the idea that every geek has had, but the guys at IdeaLaboratories were just fed up enough to actually see it through. The RoboPlow sports a 50″ blade, six wheel drive, and a bad attitude when it comes to all things snow.
In fact, watching this formidable machine slice its way through snowbanks, I’m wondering if the RoboPlow isn’t a little too powerful, if we didn’t let this arms race with Mother Nature push us to create a technology that should never have been created. Watching this video and seeing the RoboPlow barrel down the driveway, I felt a nervous feeling in the pit of my stomach that it was just going to keep going into the street, plowing straight on through the traffic.
RoboPlow, like RoboCop before him, has a singular directive. In this case it’s to annihilate snow. But I’m sure somewhere in one of those RoboCop sequels there was a lesson to be learned about the dangers of giving robots too much power.
You can’t help but wonder: in a post-snowpocalyptic world, will the RoboPlows have any reason not to plow us? [Reddit]
In his hundred-word inquiry to Steve Jobs as to whether or not the iPad will tether to the iPhone, Jezper Söderlund started by saying, “I’ll keep it short.” Steve’s response kept it really short: “No.” Updated: Is Jobs wrong?
OK, Steve’s answer hardly comes as a surprise, but I’m always tickled when there’s a report of Steve Jobs responding personally to someone’s e-mail. I imagine him sitting on the can, flicking idly on his iPhone, and finally deciding to open that massive folder of his inbox where all the e-mail from the plebs gets redirected. Oh, what’s this?
I’ll keep it short.
I’m Jezper from Sweden, a long time Apple fan, currently about to replace the very last computer at home with a brand spanking new iMac i7. I’m also awaiting the release of the iPad. However, I have one question:
Will the wifi-only version somehow support tethering thru my iPhone?
Two devices, based on the same OS, with already built-in technology to share one data plan suggests a secondary contract could possibly be redundant.
From the look of your keynote, where the iPad sits well between my MacBook Pro and my iPhone, I was hoping the three of them could interact as seamless as possible.
All the best,
Jezper Söderlund
Whether or not he knew that Jezper was a Swedish DJ of some acclaim (he didn’t), King Steve couldn’t be bothered to type more than a single word before he rose up off his throne.
No.
Sent from my iPhone
What do we learn from this? 1. You won’t be able to skimp on an iPad data plan by tethering to your iPhone. 2. There’s still the outside chance that someday “[email protected]” will pop up before your eyes, delivering a disappointingly terse (but change of pants-requiring nonetheless) message directly to your inbox. [9 to 5 Mac]
Update: Assuming his response is the real deal, we’re wondering if Steve might be a little bit confused about how his precious gadgets actually work. The iPhone officially supports tethering, just not in the United States. But we can’t see any reason why the iPhone shouldn’t be able to share its connection with the iPad on international carriers that do support tethering (seeing as DJ Jezper is from Sweden, he could well be a costumer of one of them). In any event, it seems like Steve’s answer isn’t only short but perhaps just plain wrong.
Learning to play the piano has lingered on my to-do list for a long time. But watching this video of the Clavilux 2000 keyboard generating a spectacular light show in real time, I might have to make it a priority.
The Clavilux is a digital keyboard rigged up to a projector, letting the audience see the music they’re hearing. And it really is the music they’re seeing: each stripe of light corresponds directly to a key that is struck, the individual bands representing the velocity and length of each note played.
The notes are assigned colors, as well, giving a visual overview of the harmony of the piece. Play a note that’s out of key and its color will contrast with the bigger picture.
The player can switch between two types of visualization. A 2D view results in the colorful barcode seen above while a 3D view resembles the cockpit view of some spaceship jumping into hyperdrive.
The Clavilux 2000 is the brainchild of Jonas Heuer, the same guy who put together the Noteput, an awesome interactive musical table. Music has always been a joy to listen to, but Heuer’s work lets the other senses get in on the action, to spectacular effect. [Infosthetics]
This is upsetting. A South Korean couple was arrested for starving their baby to death, reportedly only feeding her once a day after marathon sessions at an internet cafe. What was keeping them so busy? Their virtual baby.
Yeah. The couple, who met on the internet (warning sign?), dutifully raised a young girl named Anima in the virtual world of Prius Online, a sort of South Korean Second Life. Not so dutifully raised was their real daughter, a prematurely born infant who only received powdered milk feedings as an afterthought following her parents’ 12 hour days at the local internet cafe.
Twelve hours of virtual escapism a day is probably unhealthy in and of itself, but when its taking the place of your real responsibilities, well, it’s probably time to log off. [CNN via BoingBoing]
First, man made the analog clock. Then he made the digital clock. Then, just because he could, he made the funky cross between the two that looks like a digital clock but has moving mechanical parts like an analog one.
Art Lebedev, the patron saint of cool concepts that will never be manufactured as real products, has applied his unique genius to the world of timekeeping. The result is Segmentus, a clock that uses swinging plastic segments to replicate LCD-style numbers.
OK, the numbers aren’t always the easiest to read—this is particularly annoying for those of us who thought that digital clocks would always be a safe harbor in the confusing and often embarrassing world of analog timekeeping—but, hey, it’s art. Er, Art. [Art Lebedev via SlashGear]
This Is Real Art, a company that aims to “bridge the gap between design and advertising,” recently completed a series of animated videos on the subject of satellites. They’re the perfect combination: the subject matter is geeky, the animation gorgeous.
The series, which was produced for European satellite maker Astra, covers every aspect of the machines over the course of seven videos: History, Physics, Control, Launch, Why We Need Satellites, Business, and The Future.
Here’s the second video of the set on the physics of satellites:
You can watch the entire series over at This Is Real Art. The company says they’ll be used for education as well as marketing, and I must say, I’d be a lot more receptive to advertising if it always looked this good. [This Is Real Art via Creative Review]
