Author: TED

  • Lineup of speakers for TEDCity2.0, unveiled

    TEDCity2.0-featureAround the world, cities are growing at an exceptionally fast clip. As the oft-quoted statistic goes, by 2030, 6 out of every 10 people on the planet will live in a city. So how do we make sure our urban areas are filled with beauty, complexity and possibility rather than simply with overcrowding?

    TED is pleased to announce TEDCity2.0, a one-day conference focused on the future of cities. Themed “Dream me. Build me. Make me real.,” TEDCity2.0 will be held on Friday, September 20, at The TimesCenter in New York City from 9am-5pm EST. The event will be hosted by Chris Anderson, Courtney Martin and John Cary.

    TEDCity2.0 will go far beyond the average urban policy conversation, bringing unexpected thinkers with bold ideas — from a junkyard anthropologist to an architect who went blind midway through his career to a photographer who took the iconic aerial image of New York after Hurricane Sandy. Below, the speakers who will appear at TEDCity2.0.

    Session 1: Redefining Citizen

    • Poverty professor Ananya Roy, exploring the ingenuity of the world’s most vulnerable
    • Peace strategist Mohamed Ali tackles terrorism with entrepreneurial verve
    • Entrepreneur Eric Liu is reinventing citizenship for the 21st century
    • Harassment avenger Emily May is reclaiming public safety for women and for all
    • Mayor Kasim Reed is shaping the future of Atlanta, one of America’s most diverse cities
    • Urban bard Felice Belle is a poetic voice of the city

    Session 2: Reinventing Urban Experience

    • Walkability advocate Jeff Speck, who fights against suburban sprawl and bad urban policy
    • Aural artist Jason Sweeney, who is reinventing the urban experience through a crowd-sourced public art project
    • Civic technologist Catherine Bracy is scaling “Code for America” internationally
    • Radical professor Dennis Dalton, an Ivy Leaguer with a thing for street philosophers

    Session 3: Reimagining the City

    • Visionary architect Chris Downey, who lost his sight and gained new ways of seeing the world
    • Commissioner Janette Sadik-Khan is putting pedestrians at the forefront of transportation policy in New York City
    • Robin Nagle, an anthropologist in residence at the NYC Department of Sanitation, talks trash
    • Street performers John Pita and Avi Snow of City of the Sun are flamenco/blues/indie rockers
    • Place maker Toni Griffin, an urban planner working to make cities more just
    • Housing advocate Shaun Donovan, the U.S. Secretary of Housing & Urban Development
    • Sustainability guru Lance Hosey, who’s on a mission to make green design beautiful

    Session 4: Redrawing Geographies

    • Transportation evangelist Enrique Peñalosa turned Bogota into an international model for pedestrian life
    • Photographer Iwan Baan captures life in informal communities, including the world’s most notorious vertical slum
    • Impact designer Alan Ricks believes the global south has something to teach the global north about beauty
    • Burkina Faso architect Diébédo Francis Kéré creates elegance using local crafts and materials
    • Writer Joshunda Sanders, who’s remapping the mental urban landscape with memoir

  • Treating the diagnosis rather than the individual: A look at the increase in recognized disorders and prescriptions

    Learning-from-VoicesBy Grace Rubenstein

    Eleanor Longden’s new TED Book, Learning from the Voices in My Head, charts her harrowing journey from terrified young woman trembling in a psychiatric ward to a Eleanor Longden: The voices in my headEleanor Longden: The voices in my headstable, successful doctoral candidate who has learned to live peacefully with her inner voices, medication-free. She recounts how her mind shattered into pieces and how she slowly and delicately put it back together.

    In recent decades, psychiatry has come to view mental illness through a mainly biological lens, hunting for causes and cures in our brain chemistry. While that approach helps some patients, Longden says, it very nearly destroyed her. She testifies to the need to view patients as individuals, not diagnoses, and to empower each one to heal in his or her own way. As a Ph.D. student in psychology, she also serves up a hefty scientific literature on the problems with over-medicalizing mental illness.

    Here’s a glimpse at what the numbers say about psychiatry’s medical obsession:

    Diagnosis-Explosion

    With the array of possible diagnoses exploding, Longden writes, “it’s apparently becoming harder and harder to be counted as sane.” Meanwhile, the number of prescriptions being written for certain psychiatric drugs is ballooning:

    Prescriptions

    In the nightmarish throes of her initial diagnosis, doctors told Longden she’d have to take antipsychotic medication for life. That was the conventional wisdom on psychosis. But should it apply to every person with the diagnosis? For Longden, clearly not. This landmark study suggests there are many others like her:

    MEdicate-for-Life

    In her TED Book, Longden writes, “This is the story of one, but in many ways it is also the story of a whole — of all those who hear voices in the head. The details will vary, acknowledging the enormous diversity in the voices people hear and the ways in which they understand them, but for many of us the essential messages remain the same. It is also a call for an alternative conception of voice hearing, one in which the occurrence is not catastrophized as bizarre and precarious, but acknowledged as a meaningful human experience that can be intensely disturbing yet may also be readily supported and understood.”

    Learning from the Voices in my Head is available for the Kindle, the Nook, and through the iBookstore.

  • Eleanor Longden’s selections for further reading on voice hearing

    Eleanor-Longden-speaks-at-TED2013

    Eleanor Longden shares her experience of hearing voices at TED2013. Photo: James Duncan Davidson

    Eleanor Longden’s riveting story – featured in today’s talk and more in depth in the new TED Book, Learning from the Voices in My Head — raises many provocative questions. Longden talks about her recovery after a diagnosis of schizophrenia, in the process calling into question the attitudes of traditional psychiatry, the role of drug manufacturers and the very definition of madness. If her tale piqued your interest, there’s plenty more to explore. Here, take a look at a list of resources Longden put together exclusively for TED.

    Articles:

    Transforming Diagnosis, by Thomas Insel, director of the National Institutes of Mental Health, April 29, 2013. [See also Insel’s TED Talk, Toward a new understanding of mental illness.]

    Statement of Concern by the International DSM-5 Response Committee, March 24, 2013.

    Psychiatrists: the drug pushers, by Will Self, The Guardian, August 2, 2013.

    Antipsychotics: is it time to introduce patient choice?, by Anthony P. Morrison et al, British Journal of Psychiatry, 2012.

    The Illusions of Psychiatry, by Marcia Angell, The New York Review of Books, July 14, 2011.

    Negative childhood experiences and mental health: theoretical, clinical, and primary prevention implications, by John Read and Richard P. Bentall, British Journal of Psychiatry, 2012.

    Books:

    Anatomy of an Epidemic: Magic Bullets, Psychiatric Drugs and the Astonishing Rise of Mental Illnessby Robert Whitaker. (Crown, 2010.)

    Doctoring the Mind: Is Our Current Treatment of Mental Illness Really Any Good?, by Richard P. Bentall. (NYU Press, 2009.)

    Agnes’s Jacket: A Psychologist’s Search for the Meaning of Madness, by Gail A. Hornstein. (Rodale Books, 2009.)

    Living With Voices: 50 Stories of Recoveryby Marius Romme, Sandra Escher, Jacqui Dillon et al (editors). (PCCS Books, 2009.)

    Podcasts:

    An Interview with Pat Bracken on Post-Modern Psychiatry and the Social Context of Trauma podcast interview, by David Van Nuys, Seven Counties Services, Inc., Louisville, KY.

  • My emotional world, externalized: Jon Ronson talks to Eleanor Longden

    Jon Ronson, who spoke at TED2012, has a conversation with Eleanor Longden, who gave today's talk at TED2013. Photo: James Duncan Davidson

    Jon Ronson, who spoke at TED2012, has a conversation with Eleanor Longden, who gave today’s talk at TED2013. Photo: James Duncan Davidson

    By Jon Ronson

    In 2010, I made a radio documentary about Eleanor Longden for BBC Radio 4. When I heard that TED was doing a talent search — looking to give the TED2013 stage to people who might not normally have access to such a place — I thought of Eleanor. I told the TED people about her, they auditioned her in London, and she got through.

    Doing a TED talk is very anxiety-inducing. You have to stand in front of people like Al Gore and Bill Gates. Plus people keep telling you it’s the most important 18 minutes of your life. Jon Ronson: Strange answers to the psychopath testJon Ronson: Strange answers to the psychopath testIn my year, 2012, Susan Cain was doing her introvert talk and everyone kept saying, “Oh she’s so brave giving a TED talk when she’s an introvert.” But when I was chatting with Susan Cain backstage, I was the one so nervous and fidgety I destroyed my TED ID badge. It exploded in my hands. Whereas Susan Cain was just fine.

    I worried what the stress of being at TED might do to Eleanor, given her previous mental health problems. But it’s six months later and Eleanor’s TED talk has just gone online, and TED has published a book called Learning from the Voices in My Head to go alongside it.Eleanor Longden: The voices in my headEleanor Longden: The voices in my head They asked me to do an email Q&A with Eleanor. The entirety of the conversation can be found on The Guardian’s website; or read short excerpts from it below. I started by asking Eleanor about how she handled the stress.

    Eleanor Longden: Yes, [I was] definitely very nervous in the run-up. In fact, the day of the talk itself was agony — like waiting to take an exam in front of a colossal audience. I was never worried that it would have a severe impact on me, though. In fact, having experienced such serious difficulties in the past has probably given me very useful skills in managing emotion and taking care of myself, more than I most likely would have had if the breakdown had never happened.

    Jon Ronson: Let’s back up a minute and talk about what happened to you. Whenever I tell anyone your story, I always begin with a bit of a narrative flourish: You are just a regular student somewhere in England. And then one day you got out of bed and … what happened?

    Eleanor Longden: Well, essentially what happened was that — although I couldn’t possibly have known it at the time — my whole life, and the life I’d expected to have, was about to change beyond all recognition. This brewing catastrophe began in a relatively mundane way; the appearance of a single, neutral voice that calmly narrated what I was doing in the third person: “She is going to a lecture,” “She is leaving the building.” I was startled at first — very shaken. It was quite a weird sensation. But I got accustomed to it pretty quickly, because it was so unthreatening. I knew what voice hearing was, of course, but this didn’t seem anything like the types of voices you read about in the media or see in films — frenzied, violent voices that drove people to acts of destruction. And after a while, I even began to find it quite reassuring. Owing to a series of childhood traumas, I was a very confused, anxious and unhappy teenager, and the voice started to feel like a reminder that in the midst of crushing unhappiness and self-doubt, I was still carrying on with my life and responsibilities. I wondered whether other people had similar commentaries but just never talked about it. Also, although this took a bit longer, I began to feel that the voice was very closely connected to my sense of self, in that it reflected emotions I couldn’t express. So, for example, if I felt angry and had to hide it, then the voice would sound frustrated. It began to seem vaguely fascinating, creative even – how my emotional world was being externalized through this voice.

    Jon Ronson: So this story is about to get hugely worse. But before it does, let me ask a question. I remember when I was a kid once or twice hearing a kind of weird babble of voices in my head. Like there was a party going on and a whole bunch of people were all talking at once, and I couldn’t make out what anyone was saying. It didn’t bother me at all. I think a lot of people have had a similar experience: hearing a voice just as they’re falling asleep, or whatever. Before everything got worse for you, is that the kind of thing we’re talking about? Something as innocuous as that?

    Eleanor Longden: That’s a really interesting question, because what research actually suggests is that voice hearing (and other unusual experiences, including so-called delusional beliefs) are surprisingly common in the general population. The recognition of this had led to the popularity of “continuum models” of mental health, which suggests different traits and experiences are all part of human variation — not strictly categorical in terms of “us and them,” “sane and insane,” “normal and abnormal.” However, I do think life events play a vital role in determining who becomes distressed and overwhelmed and who doesn’t. This might include experiences of abuse, trauma, inequality, powerlessness, and so on, but it can also include the immediate reactions of the people around you. If you don’t have people who will accommodate your experiences, support you, and help you make sense of what’s happening, then you’re much more likely to struggle.

    Jon Ronson: So when did you first notice that the voices were becoming less threatening? Can you remember a moment when the voices became noticeably nicer?

    Eleanor Longden: It happened gradually — and some voices took longer to change than others. But primarily it was when I stopped attacking and arguing with them, and began to try and understand them and relate to them more peacefully. It was about putting an end to the internal civil war I mentioned earlier, because each of them was part of a whole: me! I would thank them for drawing my attention to conflicts I needed to deal with. I remember one very powerful moment, several years down the line, when I said something like, “You represent awful things that have happened to me, and have carried all the memories and emotion because I couldn’t bear to acknowledge them myself. All I’ve done in return is criticize and attack you. It must have been really hard to be so vilified and misunderstood.” There was an immensely long pause before one of them finally responded: “Yes. Thank you.”

    Jeanette Winterson, in her memoir Why Be Happy When You Could Be Normal, summarizes a related concept process really wonderfully: “I often hear voices. I realise that drops me in the crazy category but I don’t much care. If you believe, as I do, that the mind wants to heal itself, and that the psyche seeks coherence not disintegration, then it isn’t hard to conclude that the mind will manifest whatever is necessary to work on the job.”

    Jon Ronson: When was the very last voice that you heard?

    Eleanor Longden: I last heard voices yesterday. They were repeating something I’d read on the Internet. The comment was: “I’m going to spoil the ending for you. The ending is — everything’s going to be great!”

    Read the entirety of my conversation with Eleanor at The Guardian »

  • Everything you ever wanted to know about voice hearing (but were too afraid to ask)

    Eleanor Longden gave a candid talk about the fact that she hears voices at TED2013. Today, we also release her TED Book, which delves further into her experience of the mental health system. Below, all the questions you'd want to ask Longden but might be a little hesitant to. Photo: James Duncan Davidson

    Eleanor Longden gave a candid talk about the fact that she hears voices at TED2013. Today, we also release her TED Book, which delves further into her experience in the mental health system. Below, all the questions you’d want to ask Longden. Photo: James Duncan Davidson

    During her freshman year of college, Eleanor Longden began hearing voices: a narrator describing her actions as she went about her day. Diagnosed with schizophrenia, Longden began what she describes as a “psychic civil war,” fighting to stop the voices as they became antagonistic. Eleanor Longden: The voices in my headEleanor Longden: The voices in my headWhat helped her was something unexpected: making peace with them. By learning to see the voices as a source of insight rather than a symptom, Longden took control.

    What’s it like to hear voices? Read Eleanor’s FAQ below — where she tells you everything you wanted to know about voice hearing, with her signature honesty and humor.  

    Want more? Longden first spoke during our Worldwide Talent Search; then told a longer version of her journey toward acceptance of her own mind on the mainstage at TED2013. And today, Longden premieres her TED Book, delving deeper into her experience. Learning from the Voices in My Head is available for the Kindle, the Nook and through the iBookstore.

    Do your voices ever talk to each other (and exclude you)? 

    Sometimes. In the old days they would talk about me a lot more, but now they usually speak to me directly. And when they do discuss me, it’s more likely to be compliments or positive encouragement. Or sometimes they’ll discuss something I’m worried about and debate possible solutions. There’s one particular voice that will repeat helpful mantras to the others. A recent one was: “If you can do something about it, there’s no need to worry. And if you can’t do anything about it, there’s no point in worrying!”

    Do the voices sound like they are coming from inside your head or through your ears?

    This is something else that’s changed a bit over time. They used to be more external, but now tend to be internal or outside, but very close to my ears. It can also vary depending on which voice is speaking.

    What would you miss if you lost the voices? Would you be lonely?

    My voices are an important part of my identity – literally, they are part of me – so yes, I would miss them if they went. I should probably insure them actually, because if they do ever go I’ll be out of a job! This seems extraordinary given how desperate I used to be to get rid of them. But they provide me with a lot of insights about myself, and they hold a very rich repertoire of different memories and emotions. They’re also very useful when I do public speaking, as they’ll often remind me if I’ve missed something. They can be helpful with general knowledge quizzes too! One of them even used to recite answers during my university exams. Peter Bullimore, a trustee of the English Hearing Voices Network, published a beautiful children’s book that was dictated to him by his voices.

    Do your voices ever overlap? Could they harmonize?

    They sometimes talk over each other, but don’t really say the same things in unison. I’ve met people whose voices do that though, like a chorus. Other people sometimes describe voices that sound like a football crowd, or a group talking at a party. At a recent conference, I heard a really extraordinary fact: that people who’ve been deaf from birth don’t hear voices, but see hands signing at them.

    Do your voices happen all the time? Like, even during sex? Do you have to shush them during a movie?

    No, not all the time! Although they’re often more active (and sometimes more negative or antagonistic) when I’m stressed. Even this can be useful though, as it’s a reminder to take some time out and look after myself. I relate to them so much better now, so if they become intrusive and I ask them to be quiet in a calm, respectful way — then 99% of the time they would.

    Can you make certain voices pop up at will?

    Yes, some of the time. Actually, this was something I used several years ago during therapy – my therapist would say for example, “I’d like to speak with the voice that’s very angry,” or “the voice that talks a lot about [a particular traumatic event],” and he’d dialogue with it.

    Is there a time when you want to hear voices or are you always trying to get them to be quiet?

    I sometimes discuss dilemmas or problems with them, or ask their opinion about decisions, although I would never let them dictate something to me that I didn’t want to do – it’s like negotiating between different parts of yourself to reach a conclusion ‘everyone’ is happy with. So, for example, maybe there’s a voice that represents a part of me that’s very insecure, which will have different needs, to a part of me that wants to go out into the world and be heard. Or the needs of very rational, intellectual voice may initially feel incompatible with those of a very emotional one. But then I can identify that conflict within myself and try to resolve it. It’s quite rare now that I have to tell them to be quiet, as they don’t intrude or impose on me in the way that they used to. If they do become invasive then it’s important for me to understand why, and there’ll always be a good reason. In general, it’ll be a sign of some sort of emotional conflict, which can then be addressed in a positive, constructive way.

    Do you ever confuse your internal voice with ‘the voices’?

    No, they feel quite distinct.

    When you talk back to the voices, do they react differently if you speak out loud or just think your response?

    I rarely respond to them out loud now, but they wouldn’t react differently to when I ‘speak’ to them internally.

    What’s the difference between schizophrenia and voice hearing?

    While the experiences that get labeled as symptoms of schizophrenia –and the distress associated with them — are very real, the idea that there’s a discrete, biologically-based condition called schizophrenia is increasingly being contested all over the world. While voice hearing is linked with a range of different psychiatric conditions (including many non-psychotic ones), many people with no history of mental health problems hear voices. It’s also widely recognized as part of different spiritual and cultural experiences.

    Do you feel like other voice hearers understand you better?

    They can appreciate what it’s like more precisely, but I’m fortunate enough to have met some really empathic, imaginative non-voice hearers who really want to understand too. In this respect, I think there’s actually more continuity between voices and everyday psychological experience then a lot of people realize. For example, everyone knows what it’s like to have intrusive thoughts. And most of us recognize the sense of having more than one part of ourselves: a part that’s very critical, a part that wants to please everyone, a part that’s preoccupied with negative events, a part that is playful and irresponsible and gets us into trouble, and so on. I think voices often feel more disowned and externalized, but represent a similar process.

    What makes the voices talk more at some moments than others?

    Usually emotional experiences, both positive and negative. In the early days, identifying these ‘triggers’ were very helpful in making more sense of why the voices were there and what they represented.

    Do the voices ever make you laugh out loud?

    Yes, sometimes! Some can be very outrageous with their humor, very daring, whereas others have a droll, Bill Hicks-like cynicism. Well, maybe not quite like Bill Hicks. Wouldn’t that be great though … having Bill Hicks in your head!

  • 5 African artists who are “learning from the past” in their work

    At TED2013, graphic designer Saki Mafundikwa highlights the beauty of traditional African written languages, urging designers to draw inspiration from them. Photo: James Duncan Davidson

    At TED2013, graphic designer Saki Mafundikwa highlights the beauty of traditional African written languages, urging designers to draw inspiration from them. Photo: James Duncan Davidson

    Zimbabwean designer Saki Mafundikwa has a powerful vision for the future of African art. As the founder of the Zimbabwe Institute of Vigital Arts (ZIWA), Mafundikwa is working to bring African art back to its roots. ZIWA, the first school of graphic design in Zimbabwe, and one of the first schools to emphasize the use of digital technology to teach the visual arts, places the continent’s rich artistic history at the center of its curriculum.

    Saki Mafundikwa: Ingenuity and elegance in ancient African alphabetsSaki Mafundikwa: Ingenuity and elegance in ancient African alphabetsThis idea sits at the heart of today’s talk, in which Mafundikwa encourages African artists  to take a look at their own cultural heritage for artistic inspiration, rather than looking to the outside world.  He sums up the concept with the Ghanaian glyph Sankofa, which means literally “return and get it” — or “learn from the past.” Says Mafundikwa, ”We must go to the past so as to inform our present and build on a future.”

    In his talk, Saki Mafundikwa celebrates Africa’s creative heritage by surveying the continent’s history of written language. Jumping across nations, Mafundikwa describes the fascinating writing systems of societies from the Akan to the Bantu to the Yoruba. He points out that, contrary to popular belief, African writing may date back hundreds of years earlier than the scripts of Mesopotamia.

    In the spirit of Mafundikwa’s call to action, here is a look at a few African artists who are incorporating their heritage and traditions into their work. These artists offer diverse perspectives, putting Mafundikwa’s ideas into conversation as they contest and corroborate them.

    “Glance towards the unknown” by Fathi Hassan. Source: FathiHassan.com

    Born to Sudanese and Egyptian parents, artist Fathi Hassan explores his Nubian heritage through the written word. He imagines scripts inspired by his ancestors’ calligraphy, creating beautiful but illegible text. In doing so, he emphasizes the language loss that occurred under imperial domination and recalls his upbringing in a primarily verbal, illiterate society. Hassan was the first artist to represent Africa in the emerging artists category of the Venice Biennale. [Fathi Hassan]

    “Ibiebe ABC III” by Bruce Onobrakpeya. Source: National Museum of African Art

    “Ibiebe ABC III” by Bruce Onobrakpeya. Source: National Museum of African Art

    Nigerian printmaker Bruce Onobrakpeya also places the alphabet at the center of his work. He invented the Ibiebe script, a fusion of Chinese and Japanese calligraphy with the writing found in the Urhobo groups of Southern Nigeria. Onobrakpeya was educated by the Zaria Rebels, a school of Nigerian artists who emphasized the decolonization of African art from Western influences. Onobrakpeya cites his education as a powerful influence in his use of traditional aesthetics. Onobrakpeya’s art received an honorable mention at the Venice Biennale, and he was honored with UNESCO’s Living Human Treasure Award in 2006. [Wikipedia]

    Beyond the scope of the aestheticized written word, cultural heritage manifests itself in different ways in different mediums. Ladysmith Black Mambazo, the internationally acclaimed male choral group from South Africa, celebrates its Zulu heritage by keeping isicathamiya and mbube singing styles alive. Half a century and three Grammys later, the group has evolved to create the Ladysmith Black Mambazo Foundation, which opened in 1999 to teach children of Zulu heritage about traditional isicathamiya music. [Mambazo]

    “Histology of the Different Classes of Uterine Tumors” by Wangechi Mutu. Source: Flickr/Cea

    “Histology of the Different Classes of Uterine Tumors” by Wangechi Mutu. Source: Flickr/Cea

    Nairobi-born painter and sculptor Wangechi Mutu explores the landscape of post-imperial Africa in the face of globalization. She blends the aesthetics of traditional African art with images of the female body, giving her work a uniquely feminist and African feel. Blending the modern and the traditional, “her works document the contemporary myth-making of endangered cultural heritage.” Mutu’s work has been displayed at the MoMA, the Tate Modern and the Pompidou Center, among others.  She now lives and works in Brooklyn. [Saatchi Gallery]

    “Boy on a Globe,” by Yinka Shonibare. Source: yinkashonibare.com

    British-Nigerian sculptor Yinka Shonibare offers an opposing artistic vision. Counter to Saki Mafundikwa’s desire for African artists to return to their roots, Shonibare blurs the lines of social categories as he explores his transnational heritage.  Shonibare emphasizes the hybridity of his identity as he incorporates vivid African-style textiles with Victorian attire to create a unique fusion of cultural crossbreeds. He considers culture to be an artificial construct, and in incorporating the different facets of his own identity, he aims to stretch and erase preconceived notions of social groups. His work focuses on individuality, rejecting traditional groups in favor of modern fluidity. Shonibare’s work has been exhibited at the Venice Biennale, and he won the Turner Prize in 2004.