{"id":218650,"date":"2010-01-21T13:37:01","date_gmt":"2010-01-21T18:37:01","guid":{"rendered":"http:\/\/news.harvard.edu\/gazette\/?p=35386"},"modified":"2010-01-21T13:37:01","modified_gmt":"2010-01-21T18:37:01","slug":"undergrads-act-up","status":"publish","type":"post","link":"https:\/\/mereja.media\/index\/218650","title":{"rendered":"Undergrads act up"},"content":{"rendered":"<p>On a recent bitter January morning, Marcus Stern encouraged a group of Harvard undergraduates to experiment with citrus.<\/p>\n<p>\u201cWhat would happen,\u201d he asked them, \u201cif you stuck an orange under each armpit?\u201d<\/p>\n<p>The whimsical suggestion had real implications for the 20 young women and men who have chosen to forgo a midwinter vacation and return to campus for a new kind of intense study.<\/p>\n<p>Stern, associate director of the <a href=\"http:\/\/www.americanrepertorytheater.org\/\">American Repertory Theater<\/a>\/<a href=\"http:\/\/www.americanrepertorytheater.org\/institute\">Moscow Art Theater School Institute for Advanced Theater Training at Harvard University<\/a> (the A.R.T. Institute), was teaching a drama class, one designed to help the budding actors create a new character, using changes in voice and body positions that would render them unrecognizable. The orange experiment, he said, could lead to \u201cphysical adjustments\u201d that they could incorporate later, without the aid of the fruit, into their transformations.<\/p>\n<p>\u201cThe goal is to get them comfortable with fully transforming their voices and bodies so they can get closer to creating characters that are completely different from themselves,\u201d Stern said, so they can act more \u201cfreely, impulsively, spontaneously.\u201d<\/p>\n<p>Using a deep register for her voice and sharp hand gestures, one undergraduate took on the role of a pope. Another portrayed a woman confined to a wheelchair.<\/p>\n<p>\u201cGo a little higher, softer, more nasal,\u201d Stern coached Emily Hecht \u201911, urging her to change the pitch of her voice to help make her character, a vulnerable and emotionally troubled young woman, more believable.<\/p>\n<p>The undergraduates are part of a new immersion program, a collaboration among the A.R.T. Institute, the <a href=\"http:\/\/ofa.fas.harvard.edu\/\">Office for the Arts<\/a>, and the <a href=\"http:\/\/www.hrdctheater.com\/\">Harvard-Radcliffe Dramatic Club<\/a> (HRDC). During the three-week intensive workshop, they are learning a wide range of dramatic techniques and various aspects of acting. The curriculum includes workshops on comedic scenes, intensive study with a dialect coach, improvisation classes, and even seminars on the business of being an actor.<\/p>\n<p>Students work with participants and faculty at the A.R.T. Institute, as well as prominent guest lecturers. Jim True-Frost, famous for his role on the HBO series \u201cThe Wire,\u201d led a seminar on acting for the camera, and well-known director and Harvard alumnus David Hammond recently conducted a Shakespeare workshop.<\/p>\n<p>\u201cIt has been very exciting for us to be able to show the undergraduates that in the graduate school it\u2019s a much more in-depth, intensive approach to acting,\u201d said the institute\u2019s director <a href=\"http:\/\/www.americanrepertorytheater.org\/node\/961\">Scott Zigler<\/a>, who designed the new program\u2019s curriculum.<\/p>\n<p>While A.R.T. Institute faculty currently teach undergraduate classes as part of the <a href=\"http:\/\/www.college.harvard.edu\/icb\/icb.do\">Harvard College<\/a> curriculum, for those students considering a graduate degree in acting or pursuing the craft directly out of college, said Zigler, the intensive course really gives them a look at the \u201cnuts and bolts of the profession.\u201d<\/p>\n<p>The American Repertory Theater\u2019s artistic director, <a href=\"http:\/\/www.americanrepertorytheater.org\/node\/323\">Diane Paulus<\/a> \u201988, is the driving force behind the new collaboration.<\/p>\n<p>In step with her commitment to the organization\u2019s mission of \u201cexpanding the boundaries of theater\u201d is Paulus\u2019 intense desire for a broader engagement with the University. As a Harvard undergraduate, her love of the dramatic arts was shaped by her own experience with the A.R.T. Since taking on the directorship in 2008, she has been working closely with students across campus.<\/p>\n<p>\u201cCentral to my goals and my new leadership at the A.R.T. is to reinvigorate the A.R.T.\u2019s connection with the University and in particular the undergraduates,\u201d said Paulus, who met with members of the HRDC her first day on the job to discuss how to forge a stronger relationship with students. When Paulus realized the opportunity at hand with the new winter break, a plan for the immersion program took shape.<\/p>\n<p>Paulus said the three-week intensive gives \u201cundergraduates the opportunity to immerse and experience themselves in graduate-level training through our curriculum that we traditionally offer to the institute students. \u2026 When I was a Harvard undergraduate, I would have jumped at this opportunity.<\/p>\n<p>\u201cWe are really saying we are here, we are an important pedagogical resource for Harvard University, and this is a particular way we can offer our faculty, training, and expertise to the broader student body.\u201d<\/p>\n<p>Jack Megan, director of the Office for the Arts, who helped coordinate the housing for students returning to campus for the program, said the new initiative is an example of Paulus\u2019 effort to create a \u201cdeeper, more integrated community among undergraduates, institute students, professional staff at the A.R.T., and other University departments. The attitude and tone of things is very \u2018can do.\u2019 It\u2019s very exciting.\u201d<\/p>\n<p>In a further collaboration, Megan also helped secure the undergraduate Agassiz Theatre for the Tennessee Williams play \u201cStairs to the Roof,\u201d being produced by the A.R.T. Institute. Harvard alumnus Mike Donahue \u201905 will direct the production (<a href=\"http:\/\/www.americanrepertorytheater.org\/events\/show\/stairs-roof-art-institute\">Feb. 4-6<\/a>), which will also include three of the workshop\u2019s undergraduate students in its cast.<\/p>\n<p>Hecht, an English concentrator with a secondary focus in dramatic arts, got hooked at age 6 with the role of a witch in a half-hour version of Shakespeare\u2019s \u201cMacbeth,\u201d and is currently planning a career in acting or music.<\/p>\n<p>\u201cThis is a taste of what real intense conservatory work might be like,\u201d she said. It offers \u201cthe kind of intense technique work that is really helpful if you are thinking about going into the professional [entertainment] world.\u201d<\/p>\n<p>For Leverett House senior Carolyn Holding, who intends to pursue acting and is weighing graduate school with a move to New York City after graduation, the workshop has been an important part of her Harvard education.<\/p>\n<p>She\u2019s learned \u201chow much there is [to acting],\u201d she said, \u201cand how little I know.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a recent bitter January morning, Marcus Stern encouraged a group of Harvard undergraduates to experiment with citrus. \u201cWhat would happen,\u201d he asked them, \u201cif you stuck an orange under each armpit?\u201d The whimsical suggestion had real implications for the 20 young women and men who have chosen to forgo a midwinter vacation and return [&hellip;]<\/p>\n","protected":false},"author":4175,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-218650","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/218650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/users\/4175"}],"replies":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/comments?post=218650"}],"version-history":[{"count":0,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/218650\/revisions"}],"wp:attachment":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/media?parent=218650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/categories?post=218650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/tags?post=218650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}