{"id":251747,"date":"2010-01-30T16:13:51","date_gmt":"2010-01-30T21:13:51","guid":{"rendered":"http:\/\/bookdragon.si.edu\/?p=8762"},"modified":"2010-01-30T16:13:51","modified_gmt":"2010-01-30T21:13:51","slug":"the-times-of-botchan-second-volume-by-jiro-taniguchi-and-natsuo-sekikawa-translated-by-shizuka-shimoyama-and-elizabeth-tiernan","status":"publish","type":"post","link":"https:\/\/mereja.media\/index\/251747","title":{"rendered":"The Times of Botchan (second volume) by Jiro Taniguchi and Natsuo Sekikawa, translated by Shizuka Shimoyama and Elizabeth Tiernan"},"content":{"rendered":"<p><\/p>\n<p><a href=\"http:\/\/bookdragonreviews.files.wordpress.com\/2010\/01\/times-of-botchan2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-8659\" title=\"Times of Botchan2\" src=\"http:\/\/bookdragonreviews.files.wordpress.com\/2010\/01\/times-of-botchan2.jpg?w=128&#038;h=179\" alt=\"\" width=\"128\" height=\"179\"><\/a>The fictionalized account of the literary adventures of revered Japanese writer Natsume S\u014dseki (1867-1916) continues in the next installment of the multi-volume&nbsp;<em><a href=\"http:\/\/bookdragon.si.edu\/2010\/01\/28\/the-times-of-botchan-first-volume-by-jiro-taniguchi-and-natsuo-sekikawa-translated-by-shizuka-shimoyama-and-elizabeth-tiernan\/\" >Times of Botchan<\/a>.<\/em> S\u014dseki leaves a literary discussion group-of-sorts debating the merits of contemporary poetry with new ideas for his novel-in-progress, <em>Botchan<\/em>. He literally brushes up with political history, bumping into a would-be Korean assassin ready to take action against Japanese leaders for their colonization of his peninsular nation. Turbulent times are coming &nbsp;&#8230;<\/p>\n<p>Growing western presence at home and nationalist imperialism abroad mark the beginning of unsettling 20th century for Japan. S\u014dseki&#8217;s classrooms become arenas of debate. His colleagues&#8217; lives are moving in different directions, some even leaving Tokyo (especially to escape a broken heart). Meanwhile, S\u014dseki&#8217;s contemporary Shimazaki T\u014dson publishes an important new novel, <em>The Broken Commandment<\/em>, which quickly proves to be a critical success. All the while, S\u014dseki is shrewdly collecting experiences and characters that will shape his&nbsp;<em>Botchan<\/em>, while he debates if he might quit his teaching positions to finally become a full-time writer.<\/p>\n<p>At volume&#8217;s end, you&#8217;ll find two informative essays by the series&#8217; writer, Sekikawa. The first, &#8220;The 38th year of the Meiji Period and the making of &#8216;I am a Cat,&#8217;&#8221; gives a historically-sensitive version of S\u014dseki&#8217;s 38th year of Meiji, or 1905 in our western calendar: &#8220;The circumstances under which S\u014dseki was living until he decided, in November of the 38th year of the Meiji Period, to write &#8216;Botchan&#8217; are as follows.&#8221; Didn&#8217;t need S\u014dseki&#8217;s grandson to set the record straight as in volume 1, ahem!<\/p>\n<p>The second essay, &#8220;How did we come up with &#8216;The times of Botchan&#8217;?,&#8221; is pretty self-explanatory. Sekikawa takes a moment to explain the concept of <em>gensaku <\/em>\u2013&nbsp;&#8221;An original story by another author, which may or may not be intended for manga, and which is used by the artist&#8221; \u2013 but notes how &#8220;rare [it is] to find good manga &nbsp;based on &#8216;gensaku.&#8217;&#8221; Sekikawa and Taniguchi are an exception, of course.<\/p>\n<p>Once again, Sekikawa emphasizes the historical importance of the series: &#8220;The Meiji Period was a stormy period. In a way, people back then were probably a lot busier than people nowadays. Modern Japanese outlook was formed at the end of the Meiji Period and remains very deeply rooted in our times, in spite of the strong shocks that have been endured.&#8221;<\/p>\n<p>So a little enriching history plus good entertainment &#8230; perfect for a Saturday afternoon, right?<\/p>\n<p><strong>Readers<\/strong>: Young Adult, Adult<\/p>\n<p><strong>Published<\/strong>: 2006 (United Kingdom, United States)<\/p>\n<p>  <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/gocomments\/bookdragonreviews.wordpress.com\/8762\/\"><img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/comments\/bookdragonreviews.wordpress.com\/8762\/\" \/><\/a> <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/godelicious\/bookdragonreviews.wordpress.com\/8762\/\"><img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/delicious\/bookdragonreviews.wordpress.com\/8762\/\" \/><\/a> <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/gostumble\/bookdragonreviews.wordpress.com\/8762\/\"><img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/stumble\/bookdragonreviews.wordpress.com\/8762\/\" \/><\/a> <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/godigg\/bookdragonreviews.wordpress.com\/8762\/\"><img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/digg\/bookdragonreviews.wordpress.com\/8762\/\" \/><\/a> <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/goreddit\/bookdragonreviews.wordpress.com\/8762\/\"><img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/reddit\/bookdragonreviews.wordpress.com\/8762\/\" \/><\/a> <img decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/stats.wordpress.com\/b.gif?host=bookdragon.si.edu&#038;blog=6730168&#038;post=8762&#038;subd=bookdragonreviews&#038;ref=&#038;feed=1\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The fictionalized account of the literary adventures of revered Japanese writer Natsume S\u014dseki (1867-1916) continues in the next installment of the multi-volume&nbsp;Times of Botchan. S\u014dseki leaves a literary discussion group-of-sorts debating the merits of contemporary poetry with new ideas for his novel-in-progress, Botchan. He literally brushes up with political history, bumping into a would-be Korean [&hellip;]<\/p>\n","protected":false},"author":2824,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-251747","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/251747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/users\/2824"}],"replies":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/comments?post=251747"}],"version-history":[{"count":0,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/251747\/revisions"}],"wp:attachment":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/media?parent=251747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/categories?post=251747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/tags?post=251747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}