{"id":283085,"date":"2010-02-05T14:56:25","date_gmt":"2010-02-05T19:56:25","guid":{"rendered":"http:\/\/www.artscatter.com\/?p=6517"},"modified":"2010-02-05T14:56:25","modified_gmt":"2010-02-05T19:56:25","slug":"friday-link-discovering-updike-country-in-verse","status":"publish","type":"post","link":"https:\/\/mereja.media\/index\/283085","title":{"rendered":"Friday link: Discovering Updike country in verse"},"content":{"rendered":"<p><strong>Today in Scatterville<\/strong> we&#8217;re taken with <a href=\"http:\/\/www.nytimes.com\/2010\/02\/05\/books\/05book.html\">Dwight Garner&#8217;s review<\/a> in the New York Times of Tony Hoagland&#8217;s new book of poetry, <em>Unincorporated Persons in the Late Honda Dynasty<\/em>.<\/p>\n<p><img decoding=\"async\" class=\"alignright size-medium wp-image-6519\" title=\"tonyhoagland1\" src=\"http:\/\/www.artscatter.com\/wp-content\/uploads\/2010\/02\/tonyhoagland1-200x300.jpg\" alt=\"tonyhoagland1\" hspace=\"7\" width=\"200\" align=\"right\" \/>For one thing, that&#8217;s just a terrific title, even better than the review&#8217;s zinger of a headline (based on a quoted poem set in a grocery store), <em>The Free Verse Is in Aisle 3<\/em>.<\/p>\n<p>Mostly, though, we&#8217;re happy that Mr. Hoagland has a new collection on (or in) the market, and that Mr. Garner has so cheerfully brought it to our attention.<\/p>\n<p><strong>The review draws comparisons<\/strong> in Hoagland&#8217;s poems to <a href=\"http:\/\/www.poets.org\/poet.php\/prmPID\/9\">Randall Jarrell<\/a>, <a href=\"http:\/\/www.frankohara.org\/\">Frank O&#8217;Hara<\/a>, <a href=\"http:\/\/www.poets.org\/poet.php\/prmPID\/96\">Marianne Moore<\/a>. And we love the way that Garner fixes not just Hoagland&#8217;s poetry but an entire school in the firmament, in the process defining both what Mr. Hoagland is as a poet and what he is not:<\/p>\n<blockquote>\n<p>&#8220;On a superficial level Mr. Hoagland&#8217;s poems &#8212; he writes in an alert, caffeinated, lightly accented free verse &#8212; resemble those of many writers in what one is tempted to call the Amiable School of American Poets, a group for which <a href=\"http:\/\/online.wsj.com\/public\/article_print\/SB121460099221711769.html\">Billy Collins<\/a> serves as both prom king and starting point guard. But Mr. Hoagland&#8217;s verse is consistently, and crucially, bloodied by a sense of menace and by straight talk.&#8221;<\/p>\n<\/blockquote>\n<p><strong>That makes Hoagland,<\/strong> in the Scatter Book of Literary Comparison, akin to the great <a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Updike\">John Updike<\/a>, poet (in prose and verse) of suburban middle class unsettling awareness. Something growls, softly, beneath the placid surface. Think of that as you read these excerpts, from a poem set at a wine-tasting, that Garner quotes from Hoagland&#8217;s 2003 collection <em>What Narcissism Means to Me:<\/em><\/p>\n<blockquote>\n<p><em>But where is the Cabernet of rent checks and asthma medication?<\/em><br \/>\n<em>Where is the Burgundy of orthopedic shoes?<\/em><br \/>\n<em>Where is the Chablis of skinned knees and jelly sandwiches?<\/em><br \/>\n<em>with the aftertaste of cruel Little League coaches?<\/em><br \/>\n<em>and the undertone of rusty stationwagon? &#8230;<\/em><\/p>\n<p><em>When a beast is hurt it roars in incomprehension.<\/em><br \/>\n<em>When a bird is hurt it huddles in its nest.<\/em><br \/>\n<em>But when a man is hurt, he makes himself an expert.<\/em><br \/>\n<em>Then he stands there with a glass in his hand staring into nothing<\/em><br \/>\n<em>as if he was forming an opinion.<\/em><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Today in Scatterville we&#8217;re taken with Dwight Garner&#8217;s review in the New York Times of Tony Hoagland&#8217;s new book of poetry, Unincorporated Persons in the Late Honda Dynasty. For one thing, that&#8217;s just a terrific title, even better than the review&#8217;s zinger of a headline (based on a quoted poem set in a grocery store), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-283085","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/283085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/comments?post=283085"}],"version-history":[{"count":0,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/283085\/revisions"}],"wp:attachment":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/media?parent=283085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/categories?post=283085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/tags?post=283085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}