{"id":328008,"date":"2010-02-16T10:25:12","date_gmt":"2010-02-16T15:25:12","guid":{"rendered":"tag:business.theatlantic.com,2010:\/\/3.35992"},"modified":"2010-02-16T07:24:33","modified_gmt":"2010-02-16T12:24:33","slug":"how-netflix-is-trying-to-become-the-next-hbo","status":"publish","type":"post","link":"https:\/\/mereja.media\/index\/328008","title":{"rendered":"How Netflix is Trying to Become the Next HBO"},"content":{"rendered":"

Will Netflix take down HBO as the nation’s premier movie channel? Edward Jay Epstein has an interesting piece<\/a> in Gawker about the roadblocks Netflix faces as it moves online to create a virtual channel for movies. <\/p>\n

Netflix started as a movie-mailing service that could send subscribers unlimited rentals for a flat fee. But recently, in a move that cuts mailing costs and gives subscribers on-demand access to movies, the company is transitioning to the Web. Streaming Netflix online creates what Epstein calls “a ‘Watch Instantly’ service [that] effectively creates a virtual channel that
\ndirectly compete[s] with Pay-TV for the wallet and clock of viewers.”<\/p>\n

But that’s where technology meets the law.<\/p>\n

Netflix’ movie-mailing service is
\nfair under the law because Netflix is only re-selling DVDs it’s already
\nbought from retailers and wholesalers. However, streaming DVDs online is not legal without digital rights. That means Netflix has to
\nbuy rights for new movies to create a virtual channel that can compete with HBO.<\/p>\n

First the company made a deal with Starz Entertainment to sub-license its rights, but movie studios immediately threatened to punish both Starz and Netflix for the agreement, because it directly threatened one of Tinseltown’s top revenue
\ngenerators. Licensing deals with TV channels — including Pay TV, cable
\nand broadcast — bring in $16 billion<\/a>, almost all pure profit.<\/p>\n

That’s why January’s deal between Netflix and Warner Bros. Home Entertainment is so interesting. Netflix appears to be ready to pay studios directly for their movies, just like HBO.<\/p>\n

\n

\nHome Entertainment announced Wednesday that they have expanded
\ntheir licensing arrangement for streaming movies, and Netflix now has
\nlicensing rights to more of the studio’s catalog content. In exchange,
\nNetflix agreed to do something it has never done before. The
\nmovie-by-mail service won’t offer new releases from the studio on DVD
\nor Blu-ray discs until 28 days after they go on sale.\n <\/p>\n<\/blockquote>\n

Greg Sandoval breaks<\/a> this down nicely: Netflix wants streaming rights
\nfor new movies; Warner Bros. wants a window of one month, so that
\nvoracious fans of WB’s newest DVDs have to buy the movies instead of
\nstream them. The deals makes sense for both sides, and offers a behind-the-scenes glimpse of Netflix’ future online.<\/p>\n

As Netflix moves toward HBO, HBO is also moving toward Netflix. Epstein reports the company is working on HBO Go, an online channel that gives subscribers access to all of HBO’s titles. Today, Netflix remains a perfect service for fans of older movies (which account for two-third of Netflix’ revenue), but it wants to be a major player in new releases, as well. That means that in the all-important digital-rights game, it’s going to play catch-up for a while.


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Will Netflix take down HBO as the nation’s premier movie channel? Edward Jay Epstein has an interesting piece in Gawker about the roadblocks Netflix faces as it moves online to create a virtual channel for movies. Netflix started as a movie-mailing service that could send subscribers unlimited rentals for a flat fee. But recently, in […]<\/p>\n","protected":false},"author":1534,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-328008","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/328008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/users\/1534"}],"replies":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/comments?post=328008"}],"version-history":[{"count":0,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/328008\/revisions"}],"wp:attachment":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/media?parent=328008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/categories?post=328008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/tags?post=328008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}