{"id":388761,"date":"2010-03-04T12:43:00","date_gmt":"2010-03-04T17:43:00","guid":{"rendered":"http:\/\/37signals.com\/svn\/posts\/2192-the-long-take"},"modified":"2010-03-04T12:43:00","modified_gmt":"2010-03-04T17:43:00","slug":"the-long-take","status":"publish","type":"post","link":"https:\/\/mereja.media\/index\/388761","title":{"rendered":"The long take"},"content":{"rendered":"<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Long_take\">A long take<\/a> is a single, unbroken camera shot that lasts much longer than a typical shot. While the idea&#8217;s been around for a long time, it feels like it has extra impact in today&#8217;s world of hyper-editing and constant angle changes. Some examples below.<\/p>\n<p>It feels almost clich\u00e9 to be linking up an Ok Go video at this point, but ya gotta hand it to the band; They have really mastered the art of making &#8220;event&#8221; videos. Check out this amazing long take video featuring the Notre Dame marching band:<\/p>\n<p><object width=\"425\" height=\"239\"><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"movie\" value=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=8718627&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" \/><embed src=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=8718627&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"425\" height=\"239\"><\/embed><\/object><br clear=\"all\" \/><br clear=\"all\" \/><\/p>\n<p>Film directors have long known the power of the long take (Daily Film Dose offers up this list of <a href=\"http:\/\/www.dailyfilmdose.com\/2007\/05\/long-take.html\">&#8220;The Greatest Long Tracking Shots in Cinema&#8221;<\/a>). One of the best is this scene from &#8220;Goodfellas,&#8221; where Ray Liotta and Lorraine Bracco walk through the Copacabana.<\/p>\n<p><object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/sWYe-Ef3u5M&#38;color1=0xb1b1b1&#38;color2=0xcfcfcf&#38;hl=en_US&#38;feature=player_embedded&#38;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowScriptAccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/sWYe-Ef3u5M&#38;color1=0xb1b1b1&#38;color2=0xcfcfcf&#38;hl=en_US&#38;feature=player_embedded&#38;fs=1\" type=\"application\/x-shockwave-flash\" allowfullscreen=\"true\" allowScriptAccess=\"always\" width=\"425\" height=\"344\"><\/embed><\/object><br clear=\"all\" \/><br clear=\"all\" \/><\/p>\n<p>More music video examples after the jump.<\/p>\n<p><a href=\"http:\/\/37signals.com\/svn\/posts\/2192-the-long-take\">More&#8230;<\/a><\/p>\n<div class=\"feedflare\">\n<a href=\"http:\/\/feeds.feedburner.com\/~ff\/37signals\/beMH?a=HhaSmFgwpQQ:V1hrfMb03LE:yIl2AUoC8zA\"><img decoding=\"async\" src=\"http:\/\/feeds.feedburner.com\/~ff\/37signals\/beMH?d=yIl2AUoC8zA\" border=\"0\"><\/img><\/a> <a href=\"http:\/\/feeds.feedburner.com\/~ff\/37signals\/beMH?a=HhaSmFgwpQQ:V1hrfMb03LE:7Q72WNTAKBA\"><img decoding=\"async\" src=\"http:\/\/feeds.feedburner.com\/~ff\/37signals\/beMH?d=7Q72WNTAKBA\" border=\"0\"><\/img><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A long take is a single, unbroken camera shot that lasts much longer than a typical shot. While the idea&#8217;s been around for a long time, it feels like it has extra impact in today&#8217;s world of hyper-editing and constant angle changes. Some examples below. It feels almost clich\u00e9 to be linking up an Ok [&hellip;]<\/p>\n","protected":false},"author":7020,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-388761","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/388761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/users\/7020"}],"replies":[{"embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/comments?post=388761"}],"version-history":[{"count":0,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/posts\/388761\/revisions"}],"wp:attachment":[{"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/media?parent=388761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/categories?post=388761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mereja.media\/index\/wp-json\/wp\/v2\/tags?post=388761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}