Author: Andie

  • The 3D Giza Plateau & Virtual Archaeology

    Talking Pyramids (Vincent Brown)

    With photos and 2 minute preview video.

    The Giza Archives Project at the Museum of Fine Arts in Boston has for many years been the most extensive online resource on the archaeology of the Giza Plateau. Much of the archived material is from the 40 years of excavations carried out by Egyptologist George Reisner who led the the Harvard University-Boston MFA expedition at Giza from 1902 to 1942.

    Now the Giza Archives Project has moved into the virtual arena with the release of Giza 3D!

    However, this is not the first time the project has used 3D immersive technology to explore the possibilities of ‘Virtual Egyptology’.

  • The Cemetery of the Pyramid Builders

    drhawass.com (Zahi Hawass)

    With photographs

    Many people have claimed that the pyramids were built by slaves, or even by aliens. In the past, it was difficult to convince the public that it was actually ordinary Egyptians who constructed these great monuments. With the discovery of the Cemetery of the Pyramid Builders, however, I was finally able to reveal the truth to people around the world.

    In my 1987 doctoral dissertation for the University of Pennsylvania, I predicted that we should look for the tombs of the workmen who built the pyramids in the area to the south of an ancient stone wall known as the Wall of the Crow (Heit El-Ghurob). This wall lies to the south of the Great Sphinx, and I theorized that it had been built to separate the area where the workmen lived and were buried from the royal necropolis that they had labored to construct. Earlier excavations south of the wall had found traces of the activities of workmen. Egyptian archeaologist Selim Hassan found architectural remains, along with a few potsherds and 4th Dynasty seal impressions, in the 1930’s when he was helping the local villagers to find an alternative site for their cemetery. In the late 1980’s my friend Mark Lehner and I excavated to the southeast of the wall. We found the remains of what we thought might be granaries, although we did not see any sign of tombs. We left the area without exploring further to concentrate on other things. Although we were beginning to see signs of the daily lives of the pyramid builders, the location of their tombs was still a mystery.

    In April of 1990, I was sitting in my office at Giza when a guard came to tell me that an American tourist had been thrown from her horse when the animal stumbled over the remains of a mud-brick wall. The guard took me and my assistant Mansour Boraik to the site – south of the Wall of the Crow, in an undeveloped area of desert only about thirty feet from where Mark and I had been digging a few years earlier.

  • Exhibition: Tutankhamun and the Golden Age of Pharaohs

    Art Museum Journal (Stan Parchin)

    With some lovely photos.

    Ancient Egypt’s later 18th Dynasty and its controversial personalities come alive in an expanded version of the compelling special exhibition Tutankhamun and the Golden Age of the Pharaohs at New York’s Discovery Times Square Exposition (April 23, 2010-January 2, 2011)), a spacious venue well-suited for the grand layout of the show’s more than 130 antiquities. The works on display end their seven-city United States tour with a nine-month stay in the heart of Manhattan. Upon their return to Cairo, the objects and some 5,000 other treasures from the pharaoh’s tomb will await their state-of-the-art installation in the Grand Egyptian Museum near the Great Pyramid at Giza, set to open in 2013.

    After a brief video introduction, the exhibition opens up into 12 dramatically lit and thankfully carpeted galleries. Their contents are arranged chronologically and thematically. The show’s first half is devoted to subjects such as: Egypt before Tutankhamun (r. 1332-1323 B.C.); daily life; traditional beliefs; death, burial and the afterlife; and religious revolution during the reign of Pharaoh Akhenaten (r. 1353-1335 B.C.), Tutankhamun’s heretical father. A stark white transitional room runs archival film footage of the discovery of Tutankhamun’s tomb, compliments of The New York Times. The exhibition continues with an exploration of the boy-king and his world, objects from his burial and recent scientific discoveries.

    NY Daily News (Henrick Karoliszyn)

    Visitors to the first day of the boy king’s new exhibit at the Discovery Times Square Exposition were wowed not only by the dazzling artifacts – but also by the eclectic souvenirs.

    From a nearly $9,000 Eye of Horus necklace to a 25-cent temporary tattoo, mummy fans were taking a piece of Tut home.

    “This is their favorite part of the exhibit,” joked Paula White, 41, of Manhattan, who bought her daughter a golden King Tut crown as well as a tattoo for her son.

    Exhibit-goers were scooping up light blue amulet stones made in Egypt for a buck and Golden Age of the Pharaohs pencils for 99 cents.

  • Book Review: The Last Pharaohs: Egypt under the Ptolemies, 305-30 BC

    Bryn Mawr Classical Review (Reviewed by Timothy Howe)

    J. G. Manning, The Last Pharaohs: Egypt under the Ptolemies, 305-30 BC. Princeton/Oxford: Princeton University Press, 2010.

    In The last pharaohs, J. G. Manning attempts to bring Ptolemaic Egypt, and the economic policies of the Ptolemaic state, out of isolation from other fields of ancient Mediterranean history. Often seen as “a place apart,” especially by classicists focused on Greece and Rome, Ptolemaic Egypt has entered historical conversations tangentially, as a stage for wider Roman policy, for instance, or as a counterpoint to classical, polis civilization. Here, Manning is reacting against the scholarly tendency to assess the Hellenistic experience from the perspective of Greece.1 Using a social science models, Manning suggests that Ptolemaic Egypt be seen as an intentionally constructed hybrid of Greek and Egyptian elements, wherein Ptolemaic policies encouraged a fertile interaction of cultures and ideas, an interaction that produced complex native and immigrant responses, ranging from rejection to acceptance. By examining the Ptolemaic state from an Egyptian perspective, Manning seizes an opportunity to rethink terms like “hellenization” and “Hellenistic” and demonstrate how, by adopting a native Egyptian, pharaonic mode of governance, the Ptolemies fit their institutions into long-term Egyptian history. As Manning puts it, “This book offers a new perspective on the connections between Greek and Egyptian civilization, by trying to understand Egyptian civilization in its own terms, examining the manner in which the Ptolemies established themselves within Egyptian traditions, and the dynamic interactions between the two cultures during Ptolemaic rule” (205). And such a new perspective is now possible, Manning argues, because of the material uncovered in the past 100 years.2 Because of its rich literary records, Ptolemaic Egypt is at present the only well-documented state of the ancient world that allows such a quantitative approach.
  • New Book: The Question of Evil in Ancient Egypt

    Golden House Publications

    The Question of Evil in Ancient Egypt by S.J. Mpay Kemboly, Golden House Publications.

    The book examines relevant sources from the Old Kingdom Pyramid Texts (c. 24th century B.C.E.) to the Graeco-Roman Period inscriptions (2nd century C.E.) in order to understand the way the ancient Egyptians tackled the question of the origin of evil in the world. It also investigates whether the world was perfect or imperfect since its beginning. Scholars addressing these questions are generally of two categories: those advocating the pre-existent character of evil and asserting therefore that the world was not perfect since its creation, and those who plead for the contingent nature of evil and thus imply that the world was created perfect at the beginning but was marred afterwards by various protagonists other than the creator.
  • Baboon Mummy Tests Reveal Ethiopia and Eritrea as ‘Land of Punt’

    Heritage Key (Owen Jarus)

    Heritage Key reported recently that mummified baboons in the British Museum could reveal the location of the land of Punt – a place to which pharaohs organized trading expeditions. To the Egyptians, Punt was a place of fragrances, giraffes, electrum and other exotic goods. It was sometimes referred to as Ta-netjer – ‘God’s land’ – a huge compliment given that the Ancient Egyptians tended to view outside cultures with disdain.

    Although Egyptians record voyaging to it until the end of the New Kingdom, 3,000 years ago, scholars do not know where Punt was. Ancient texts offer only vague allusions to its location and no ‘Puntite’ civilization has yet been discovered. Somalia, Ethiopia, Yemen and even Mozambique have all been offered as possible locations.

    Thanks to some cutting edge science, the search for Punt appears to be coming to an end. New research, to be presented at an Egyptology conference today, provides proof that it was located in Eritrea/East Ethiopia.

    See the above page for the full story.

  • Egypt finds hoard of 2,000-year-old bronze coins

    Thanks to everyone who sent links for this story.

    Boston Globe

    Archaeologists unearthed 383 bronze coins dating back to King Ptolemy III who ruled Egypt in the 3rd century B.C. and was an ancestor of the famed Cleopatra, the Egyptian antiquities authority announced Thursday.

    The statement said one side of the coins were inscribed with hybrid Greek-Egyptian god Amun-Zeus, while the other side showed an eagle and the words Ptolemy and king in Greek.

    Founded by one of Alexander the Great’s generals, the Ptolemaic Dynasty ruled Egypt for some 300 years, fusing Greek and ancient Egyptian cultures.

    The coins were found north of Qarun lake in Fayoum Oasis 50 miles (80 kilometers) southwest of Cairo.

    Other artifacts were unearthed in the area included three necklaces made of ostrich egg shell dated back to the 4th millennium B.C. and a pot of kohl eyeliner from the Ottoman Empire.


    Inquirer.net

    The 383 items dating back more than 2,250 years were found near Lake Qarun in Fayum oasis, around 120 kilometers (75 miles) from Cairo, the ministry said in a statement, adding that they were in excellent condition.

    The coins weighed 32 grams (1.12 ounces) each, with one face depicting the god Amun and the other the words “king” and “Ptolemy III” in Greek along with his effigy, the statement said.

    Other objects from different periods were also found during the dig, in addition to parts of a whale skeleton around 42 million years old, it added.

    The ministry said it was the first time Egyptian archaeologists had found necklaces made from ostrich eggshell at Fayum.

    Fox News

    With photographs.

  • Hawass chides museums over antiquities

    Indiana Gazette (Ula Ilnytzky)

    Zahi Hawass, secretary general of Egypt’s Supreme Council of Antiquities, said Wednesday he had a wish list of objects he wants returned. He singled out several museums, including the St. Louis Art Museum, which he said has a 3,200-year-old mummy mask that was stolen before the museum acquired it.

    “We’re going to fight to get these unique artifacts back,” Hawass said at the New York preview of the “Tutankhamun and the Golden Age of the Pharaohs,” an exhibition that has traveled to five other U.S. cities and London.

    Last week, he said, he turned over to the U.S. Department of Homeland Security “all the evidence that I have to prove that this mask was stolen, and we have to bring it back.”

    On Wednesday, St. Louis Art Museum spokeswoman Jennifer Stoffel, said the institution “had correspondence with Hawass in 2006 and 2007 and has not heard anything on the matter since.”

  • Exhibition: Tutankhamun in New York

    abc local (Sandra Bookman)

    With video of exhibitin preview.

    For the first time in more than three decades, King Tut is back in New York. And this time around, we know a lot more about the ancient boy king.

    It’s the last stop of an eight-city tour, and this new Tut exhibit has already been seen by 7 million visitors.

    But curators say the New York stop, at the Discovery Times Square Exposition, features more new artifacts in a larger space, and they’re promising you’ve never seen the boy king like this.

    King Tut, whose golden treasures last captivated New York and the world 31 years ago, has returned.

    And organizers of the exhibition “Tutankhamun and the Golden Age of the Pharaohs” are promising a show that’s even bigger and better the second time around.

    “This one has 130 artifacts, 50 of which are from Tutankhamun,” curator Dr. David Silverman said. “In actuality, they are two and a half times the size of last time.”

    New York Times (Edward Rothstein)

    There has always been something a little disorienting, almost out of proportion, about King Tut. Is there any Egyptian pharaoh now more widely known, any more celebrated? The extraordinary objects found in his tomb have been viewed by millions, and the more objects from that horde are seen, the larger Tut looms. Yet the more we know, the less imposing he becomes, and the more puzzling the contrast seems.

    Visit “Tutankhamun and the Golden Age of the Pharaohs,” which opens on Friday at the Discovery Times Square Exposition, and if you have ever been astonished by the objects found in the king’s tomb — whether from seeing Tut’s first museum tour in the 1970s, or this more wide-ranging show in one of its six preceding locations — you will be amazed again. (New York is its last stop before the artifacts return to Egypt in January.)

    This show expands the historical horizon of the ground-breaking blockbuster that was Tut I by linking the king to his ancestors (and, incidentally, enshrining the now dominant spelling of his name). It also breaks with the museological origins of that first tour, which took shape under the oversight of Thomas Hoving, then director of the Metropolitan Museum of Art.


    Heritage Key
    (Helen Atkinson)

    For me, the press preview of the Tutankhamun and the Golden Age of the Pharaohs exhibition, which opened in New York today, was a momentous event because I’ve never met Dr. Zahi Hawass before, and I got to look him in the eye and shake his hand and even ask him a question. I’ll come to all that in a minute.

    The exhibition is impressive. I can’t deny that. There was a moment when I actually stopped dead in my tracks, mouth open (soon to be hustled out of the way by a pushy New York journo). This happened when I came upon a huge bust of Akhenaten, King Tut’s autocratic probable Dad, high, high atop a great slab of honeyed stone, lit with a powerful spotlight, his face astonishingly realistic, the lips curved, cruel, sensual. I felt like Shelley’s “traveler from an antique land” finding the ruined statue of King Ozymandias in the desert.

    The exhibition’s website is at
    http://www.kingtut.org/home

  • Amheida website updated

    NYU Excavations at Amheida

    Three reports from the 2010 season are new available at the above page (Field Report, Geophysical Survey and Palaeozoology).

    Amheida is an important site in Dakhleh Oasis. Here’s an exerpt from the website’s introduction:

    The excavations undertaken at the ancient city of Amheida (known as Trimithis in the Roman period) are a unique combination of archaeological fieldwork and educational program. Although primarily a modern, multidisciplinary excavation, the project also offers undergraduate students the opportunity for a study-abroad semester in Egypt that combines fieldwork with classroom study and visits to archaeological sites and museums. We make our ongoing work on site available internationally to both scholarly and public audiences via the web as well as through printed work.
  • Beneretmut and DNA of the mummy KV35YL

    News from the Valley of the Kings

    An article has appeared on a Spanish site which duplicates much of my eariler article showing that KV55 is probably not Akhenaten including extrapolition of the DNA to cover Nefertiti (although I am not credited); however the author comes to a different conclusion than me and opines that KV55 is Akhenaten. In coming to this conclusion it theorises that there was a genetic mutation between the two generations. Unfortunately the author, Juan de la Torre Suárez, President Andalusian Association of Egyptology doesn’t cite any evidence for the frequency of mutation in the allele concerned.

    See the above page for more, including a link to the Spanish article.

  • Seminar notes – Coptic Thebes

    Coptic Heritage blog

    I’ve written up my notes from last Saturday’s Coptic Thebes: Life in the 7th and 8th Centuries seminar by Dr Jennifer Cromwell (Lady Wallis Budge Junior Research Fellow in Egyptology at Oxford University) at the Egypt Exploration Society.

    It was an excellent seminar. In the four hours Dr Cromwell was able to paint a vivid portrait of many aspects of Coptic life on the west bank of Luxor.

    It is remarkable the extent to which the Coptic monks and settlers occupied Pharaonic temples and tombs on the west bank of Luxor. Perhaps even more remarkable is the extent to which so much evidence of this Coptic world was eliminated by excavators interested in the underlying Pharaonic levels. Dr Crowell talked about this remarkable landscape, the surviving evidence (both archaeological and textual), the clues to secular life in the village of Jeme (which occupied Medinet Habu) and the the practise of donating children to one monastery in particular.

    It was, needless to say, a day very well spent!

    Thanks very much to Jenny Cromwell for checking over my notes and picking up a couple of errors.

  • New Book: Swimmers in the Sand

    From Miroslav Bárta

    Swimmers in the Sand. On the Neolithic Origins of Ancient Egyptian Mythology and Symbolism

    ISBN 978-80-87025-26-0, 112 pages
    Publisher: Dryada: Prague
    Publication date: April 2010
    Author: Miroslav Bárta, photographs Martin Frouz

    I couldn’t find this on any of the usual online retailers but perhaps it is not available just yet. I for one am interested in getting hold of this title so if anyone finds it available online please let me know.

    The origins of ancient Egyptian civilisation have been attracting the attention of archaeologist ever since the beginnings of Egyptology more than 200 years ago. This book presents a new and original interpretation of the rock art in Egyptian Western Desert which is of a key importance for our understanding of the roots of ancient Egyptian civilisation. Indeed, her very origins can be most likely dated to the 6th millennium B.C. In this time and the centuries to follow the paintings in the Cave of the Swimmers known from a blockbuster English Patient and in the Cave of Beasts discovered only few years ago were created. These caves are located in a distant and hardly accessible part of Egypt, on the border of Egypt, Libya and Sudan.

    The rock-art preserved in these caves features several unique motifs that will become cornerstone of ancient Egyptian iconography and mythology. Among them may be named the motif of the sky goddess and the earth god, prototypic representation of an ancient chieftain in the much later pharaonic guise or the concept of cave creatures protecting the entrance to the Netherworld.

    During the Fifth and Fourth millennia B.C. the vast areas of Western Desert suffered from a major depredation of climate that most likely caused a gradual evacuation of the region and instigated appearance of permanent settlements in the Nile valley which led to genesis of ancient Egyptian culture. The present study aims to present a theory according to which at least some parts of the discussed rock art in the Western Desert was created by an ancient mind that later on contributed to the intellectual emergence of ancient Egyptian civilisation in the Nile valley.

  • Strategic Partnership to develop 3D archaeological content

    3DS

    Press Release.

    One of the world’s largest Egyptology databases, the Giza Archives Project, will be the first to benefit from the power of interactive, immersive and multi-platform 3D experiences for both the scientific community and the general public

    Paris, April 21st, 2010 – Dassault Systèmes (DS) (Euronext Paris: #13065, DSY.PA), a world leader in 3D software solutions and the Museum of Fine Arts, Boston (MFA), one of the world’s most important encyclopedic art museums, today announced that they will join forces in a strategic innovation partnership to bring the power of industrial and experiential 3D to the domain of archaeology.

    The Giza Archives Project is a digital initiative, housed at the Museum of Fine Arts, Boston, and supported by the Andrew W. Mellon Foundation. It is supervised by Egyptologist Peter Der Manuelian, the MFA’s Giza Archives Director and Philip J. King Professor of Egyptology at Harvard University. The Project aims to “assemble and link” the world’s archaeological information on the Egyptian Pyramids at the Giza Plateau. In the last decade, it has digitized historic expedition photographs, excavation diaries and field notebooks, maps, plans and sketches from the ancient tombs and pyramids at Giza. The result is the largest database and Web site ever assembled relating to the Giza Plateau (www.mfa.org/giza). Most of the archaeological documents and photographs had been assembled over forty years of excavation by Egyptologist George Reisner (1867–1942), one of the prominent founding fathers of modern scientific archaeology who led the Harvard University-Boston Museum of Fine Arts Expedition in Egypt. In a unique international collaboration, the Giza Archives Project partners today with all of the world’s institutions that house major collections related to Giza.

  • King Tut, The Tour And The Ways Of Zahi Hawass

    Real Clear Arts (Judith H. Dobrzynski)

    Before going to the press preview this morning for Tutankhamun and the Golden Age of the Pharoahs, which will open at the Discovery Center Times Square on Friday, I had never seen Zahi Hawass in action. But now I know why Hawass, the Secretary General of Egypt’s Supreme Council of Antiquities, has been so good at elevating the profile of Egyptian antiquities, claiming and repatriating artifacts from Western museums, raising money for archaeology and museums in Egypt, getting very good press in the process, etc. Too good, sometimes.

    He’s a charmer, story-teller, teaser and advocate par excellence. Relating a tale about flying back to Cairo on Egypt Air with a coffin recovered with the help of Homeland Security officials here, he said a woman near him, learning that the coffin was in the plane’s cargo area, got the willies. “Don’t worry,” he told her, “If there had been a curse, I’d have taken Lufthansa.”

  • Book Review: Cleopatra

    Forbes (Review by Hannah Elliott)

    Cleopatra: A Biography
    By Duane W. Roller (Oxford University Press, $16.47)

    Forget what you think you know about Cleopatra. She wasn’t a voracious seductress who led men to their doom. She never wore bangs à la Liz Taylor circa 1963. And she almost certainly didn’t die by the bite of an Egyptian snake.

    That’s the premise of Duane W. Roller’s Cleopatra: A Biography, a bare-bones approach to understanding the last ruler of the 270-year-old Ptolemaic dynasty and the only woman in classical antiquity who ruled with complete autonomy.

    If you’re looking for romance-novel details of the Mark Anthony-Cleopatra VII affair, keep looking. Roller, a professor emeritus of Greek and Latin at the Ohio State University, makes it abundantly clear that his goal is to create a portrait of the infamous queen that is based “solely on information from the ancient world.”

    That means forgoing all input from Shakespeare, Massenet and Hollywood. It makes for a somewhat dry read–navigating through Ptolemaic genealogies, recounts of political posturing with obscure satraps and discussions of ancient Roman land disputes won’t keep the casual reader engaged.

  • Exhibition: From Luxor to London

    Egypt at the Manchester Museum

    From Luxor to London: An exhibition of drawings and prints by Adele Wagstaff at the Petrie Museum, UCL April 13-June 26, 2010

    A collection of drawings and prints inspired by reliefs, monuments and sculpture in Luxor, Thebes and the Petrie’s own collection in London. Many of the drawings and prints are inspired by the Hatshepshut Temple in Deir el-Bahri as well as the Luxor Museum.

  • No freebies from Egypt

    Asharq Alawsat (Zahi Hawass)

    Around forty years ago, the Egyptian government approved sending 55 of some of the rarest artefacts belonging to the boy king Tutankhamun [to the Metropolitan Museum of Art in the US] that were discovered by the British archaeologist Hayward Carter on November 4, 1922. Even though this pharaoh ruled Egypt for less than nine years and died before he could prepare a tomb suitable for someone of his status in the same way his pharaonic ancestors did, over five thousand artefacts were found in his tomb and are still attracting the world’s attention and stealing the hearts of those who view them.

    Back to the story of King Tutankhamen’s first exhibition in the US, the artefacts were displayed at the Metropolitan Museum of Art, and despite that the museum made millions of dollars from donations to the museum and from the catalogues and souvenirs that were sold, Egypt made no financial profits from it. However, we cannot deny the tourist and promotional gains as a result of King Tut’s presence in the US.

    Now that we know all the facts, the exhibition of Tutankhamen is back once again in New York City after 40 years. This time, the wonders of King Tut will not be displayed at the Met but in a special display hall in New York. This is because the Metropolitan administration insisted it would not pay Egypt for the exhibition based on the pretext that entry to the museum is usually free, despite the fact that we know no one is allowed to enter the Met unless a donation is made and about other considerable financial profits as mentioned above.

  • Sandro Vannini’s Photography – Anubis Shrine and “Anubis Fetishes”

    Heritage Key

    Anubis is the jackal-headed god for the afterlife and mummification, who is seen as a key figure for a Pharaoh to pass into the afterlife. The jackal was associated with associated with death and burials in Ancient Egyptian time for their reputation of scavenging human corpses and eating their flesh. It was common practice to place a figure of Anubis near the entrance of a tomb, and for the priest to don an Anubis mask during the embalming process. This is also one of the reasons the Anubis was selected to sail into New York’s harbour to promote the upcoming King Tut exhibit!

    The Anubis Shrine and “Anubis Fetishes” are two artefacts found inside King Tut’s tomb which honour the god, and are now held in the Egyptian Museum, Cairo where they have been photographed by Sandro Vannini. Brought online by Heritage Key, the beautiful details of both these fine artefacts can be appreciated from the comfort of your own computer!

  • Opening of Egyptian Galleries at the Nelson-Atkins

    InfoZine

    A spectacular 2,300-year-old collection of funerary objects from an Egyptian tomb will be the centerpiece of new Egyptian galleries that open May 8 at The Nelson-Atkins Museum of Art. Among the objects is an elaborately decorated, 7-foot inner coffin designed for an Egyptian noblewoman, Meretites.

    The new galleries give viewers a panoramic look at works created by artists and craftsmen in the ancient civilizations of the Near East, Egypt, Greece and Rome. The Meretites collection, acquired by the Museum in 2007, will be featured at the entrance of the new galleries. Members of the press are invited for an exclusive preview of the new galleries at 10 a.m. Friday, April 30.